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Stefanie Schneider
Bourbon (Suburbia) featuring Louis Ferreira, analog, mounted

2004

About the Item

Bourbon (Suburbia) - 2004 Edition of 2/5, 60x80cm. Analog C-Print, hand-printed by the artist based on the Polaroid, mounted on Aluminum with matte UV-Protection. Artist Inventory No. 420.02. Signed on back with certificate. This series was shot on the set of Marc Forster's first feature film 'Everything put Together". Featuring Louis Ferreira. Stefanie Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept. Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream. Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection. Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.

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White Plastic Bucket (Stay), from Ryan Gosling's memory sequence. 2006, 85x85cm, 4 pieces, each 39x38.5cm, Edition 2/5, analog C-Prints, printed by the artist on Fuji Archive Crysta...
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Early 2000s Contemporary Figurative Photography

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Moving in Together (Till Death do us Part) - analog, Contemporary, mounted
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Located in Morongo Valley, CA
Moving in Together (Till Death do us Part) - 2008 125x154cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Certifi...
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Early 2000s Contemporary Color Photography

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Car Wash - Contemporary, Landscape, Cityscape, expired, Polaroid, analog, Blue
By Stefanie Schneider
Located in Morongo Valley, CA
Car Wash (Stranger than Paradise) - 1999 64.6x59.5cm including the white 'Polaroid' frame. Edition 2/10. Analog C-Print, hand-printed by the artist, mounted on Aluminum with mat...
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Early 2000s Contemporary Color Photography

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Car Wash - Contemporary, Landscape, Cityscape, expired, Polaroid, analog, Blue
By Stefanie Schneider
Located in Morongo Valley, CA
Car Wash (Stranger than Paradise) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. 
 Archival C-Print, based on the original Polaroid. 
 Certificate and Signature label. 
 A...
Category

Early 2000s Contemporary Color Photography

Materials

Metal

Bourbon (Suburbia) featuring Louis Ferreira, analog, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Bourbon (Suburbia) - 2004 Edition of 2/5, 60x80cm. Analog C-Print, hand-printed by the artist based on the Polaroid, mounted on Aluminum with matte UV-Protection. Artist Inventor...
Category

Early 2000s Contemporary Color Photography

Materials

Metal

'I'm frozen in my Memory of Love that once was' from Till Death do us Part
By Stefanie Schneider
Located in Morongo Valley, CA
'I'm frozen in my Memory of Love that once was' (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs, Archival C-Print print, based on the original Polaroid,...
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Early 2000s Contemporary Color Photography

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