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Stefanie SchneiderCleaning up (Oxana's 30th Birthday) - part of the 29 Palms, CA project2007
2007
About the Item
Cleaning up (Oxana's 30th Birthday) - 2010,
Edition of 5 plus 2 Artist Proofs.
30x40cm each, installed 30x190cm.
4 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Paper, matte surface, based on the 4 original Polaroids.
Artist inventory number: 4709.
Certificate and signature label.
Not mounted.
exhibition photos: Mapping Worlds: Welten verstehen – Aufbruch in die Gegenwart, 8. Internationale Foto -Triennale Esslingen 2010
Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand.
What is most striking about Schneider's images is perhaps simply the colour of her expired Polaroid film. Stefanie's role in preserving the use of Polaroid is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction.
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
(Barnebys UK, May 3, 2017)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2007
- Dimensions:Height: 11.82 in (30 cm)Width: 74.81 in (190 cm)Depth: 0.04 in (1 mm)
- More Editions & Sizes:Edition of 5 plus 2 Artist Proofs. 30x40cm each, installed 30x190cm. Mounted on Aluminum with matte UV-Protection. See images. Please allow 3 weeks production time. Price: $5,300
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652313405612
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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