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Stefanie Schneider
Easygoing (Till Death do us Part) - 21st Century, Polaroid, Figurative

2016

About the Item

Easygoing (Till Death do us Part) - 2016 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9426. Not mounted. While Stefanie Schneider's art is often nostalgic and dreamlike, there is a darker side to her work that explores themes of decay, abandonment, and the death of the American dream. In many of her images, Schneider focuses on abandoned buildings, rusted cars, and other relics of a bygone era. These images suggest a sense of decay and decline, and they raise questions about the fleeting nature of human existence and the transience of material objects. In some cases, Schneider's images are deliberately blurred or fragmented, suggesting a sense of instability and uncertainty about the past. Schneider's images of women also often challenge traditional notions of beauty and perfection. Rather than presenting idealized or objectified images of women, she often depicts them in states of undress or vulnerability, suggesting a sense of shared humanity and a challenge to traditional power dynamics. Through these darker themes, Schneider's work can be seen as a commentary on the decline of the American dream. Her images suggest a sense of loss and disillusionment, and they raise questions about the sustainability of the American way of life. At the same time, however, they also suggest a sense of resilience and hope, as the decaying objects and landscapes she depicts are often imbued with a strange beauty and a sense of mystery. Overall, Stefanie Schneider's art offers a complex and multifaceted exploration of memory, nostalgia, and the human experience. While her work can be nostalgic and dreamlike, it also challenges viewers to consider the darker side of the American dream and to confront the realities of decay and decline in our society.

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A piece of art from the feature film movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Ma...
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Early 2000s Contemporary Color Photography

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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Lone Pine Motel II, triptych (The Last Picture Show), analog, 3 pieces
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Located in Morongo Valley, CA
Lone Pine Motel II (The last Picture Show) 2005, Edition 1/5, 40x40cm each, installed with gaps 40x125cm, Edition of 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal A...
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Early 2000s Contemporary Color Photography

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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Daisy and Austen in front of Trailer - based on a Polaroid Original - Proof
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Located in Morongo Valley, CA
Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Proof b4 Printing / 128x125cm signed, analog C-Print, hand-printed by the artist, based on the Polaroid, signed ...
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Early 2000s Contemporary Color Photography

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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Lovefight (The Princess and her Lover) from 29 Palms, CA
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Located in Morongo Valley, CA
Lovefight (The Princess and her Lover) from 29 Palms, CA - 2009 120x180cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on 15 original Polaroids. Certificate and S...
Category

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Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Wedding Day V (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
'Wedding Day V' (Till Death do us Part), 2005, 20x24cm, Edition 5/10, digital C-Print print, based on a Polaroid Certificate and Signature label artist Inventory No. 4329.17 not moun...
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Leaving III (Sidewinder) - Polaroid, 21st Century, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Leaving III (Sidewinder) - 2005 60x110cm, Edition of 10. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3463. Not mounted. Stefanie ...
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Early 2000s Contemporary Portrait Photography

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