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Stefanie Schneider
Her last Call (The Girl behind the White Picket Fence) - Polaroid, 21st Century

2013

About the Item

Her last Call II (The Girl behind the White Picket Fence) - 2013 78x77cm, Edition 3/5, Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory # 16495.03. Not mounted. Featuring Heather Megan Christie. Offered is a piece from the movie: The Girl behind the White Picket Fence A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider’s art captivates in ways that are difficult to explain. Her expired Polaroid photographs evoke a profound emotional shift, opening a window to a world where the discarded becomes precious. By transforming expired film into something transcendent, she elevates what was once dismissed as worthless into something deeply meaningful. Schneider engages with the subconscious, weaving nostalgia and personal narratives that reflect her own outsider experiences. Schneider's art debuted in Los Angeles in 1996, and her visionary use of expired Polaroid film would later inspire Austrian entrepreneur Florian Kapps to save the last Polaroid film factory from destruction in 2010. This act preserved millions of Polaroid cameras from becoming mere relics of a bygone era, thanks in no small part to the transformative power of Schneider's work. In a world increasingly dominated by digital perfection, Stefanie Schneider reintroduced analog imperfection to the art world, demonstrating that yesterday's medium still holds value. Her art reminds us that it’s okay to embrace imperfection—that it can be beautiful. Her work is human, tangible, mysterious, and delightfully unpredictable, inviting us to find wonder in the unexpected.

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