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Stefanie SchneiderLong Way Home II - with Radha Mitchel and Max Sharam1999
1999
$700
£520.74
€610.53
CA$979.04
A$1,093.13
CHF 573.55
MX$13,491.10
NOK 7,209.61
SEK 6,745.87
DKK 4,554.66
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About the Item
'Long Way Home II' by Stefanie Schneider
(Stranger than Paradise) - 1999
49x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid,
Not mounted, Artist Inventory No. 252.
featuring Radha Mitchell and Max Sharam
Stefanie Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept.
Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream.
Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection.
Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 19.3 in (49 cm)Width: 18.9 in (48 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:Seller: STSCH #0201stDibs: LU652313411732
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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By Stefanie Schneider
Located in Morongo Valley, CA
'Long Way Home II' (Stranger than Paradise) - 1999
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Signature label and Certificate,
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Long Way Home III - analog, 128x125cm, not mounted, Polaroid, Contemporary
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Category
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$585 Sale Price
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On the Road (Till Death Do Us Part)- including the book 'A Half Forgotten Dream'
By Stefanie Schneider
Located in Morongo Valley, CA
On the Road (Till Death Do Us Part) - 2005
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Category
Early 2000s Contemporary Color Photography
Materials
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