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Stefanie Schneider
A Memory - Strange Love

2010

About the Item

'A Memory' (Strange Love) - 2010, 20x24cm, Edition 1/10, digital C-Print, based on a Polaroid, signature label and certificate, artist Inventory No. 6131.01, Not mounted. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster) Shown is a piece of Stefanie Schneider's project 'Strange Love' the sub story of 29 Palms, CA Love, lost and unrequited leaves its mark in our lives as a senseless pain that has no place in the present. The ex lover experiences the residues of love as an amputee experiences the sensation of a ghost limb. It is the tangible experience of “absence” that has inspired this piece. And it is using the nuances of memory and imagination that I have chosen to explore my relationships with my lover, as he represented himself, as I experienced him and as he was experienced by others... 'strange love' is based on the story of Lance (The Smoke Jumper), Eva (alias Fia) und Stefanie (alias Stella, alias Stevie) who were entangled in a ménage à trois. The project relates to real time events and reflects on love, sexuality, communication between men and women, and perception. The story has been reenacted, reinvented, rendered independently. strange_love_2004 has been developed parallel to 29 Palms, CA. Fragments, perceptions, memories, images, words, emotions, visions overlap, comment and outrun each other, become history while still happening, leave at the same time transient and fixed documents: photographs, films, paintings, text. Someone is not there and therefore even more about. (Maja Maria Liebau, theater critic) Due to the steady change of perspectives - realities, illusions, dreams on different time lines, the question of truth is impossible to answer. Reality is profoundly subjective and the search for personal happiness is a steady (manic) interpretation of one’s own truth. Both projects are shown and exhibited together. Both presentations relate to each other. Several exhibitions and publications are accompanying the project to show the different perspectives and interpretations of “truth” and it's fragmentation [ the process of shattering or breaking up into fragments ]. In the end both projects will be joint: A fictitious conclusion about love.

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Boccia II (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women
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Located in Morongo Valley, CA
Boccia II (Beachshoot) - 2005 38x36cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory # 14...
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Early 2000s Contemporary Color Photography

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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Boccia V (Beachshoot ) with Radha Mitchell - Polaroid, Contemporary, Women
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Boccia V (Beachshoot) - 2005 38x37cm, Edition of 10 Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1467_5. Not mounted. featuring Camille Waldorf and Radha Mitchell Beachshoot These photographic phantasies are determined by carefully chosen constraints and the use of symbolic attributes. Telegraph poles, airplanes, vast wastelands, a train bridge or a 50s American car tell in the same manner different stories, as do lurid wigs, kids toys, a headscarf or an old super 8 camera...
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Boccia VI (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women
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Boccia VI (Beachshoot) - 2005 38x36cm, Edition of 10. Digital C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1467. Not mounted. featuring Cami...
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Boccia (Beachshoot ) with Radha Mitchell - Polaroid, Contemporary, Women, Color
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Boccia (Beachshoot) - 2005 70x135cm installed, including gaps - 8 pieces, 30x30cm each, almost sold out Edition of 100 plus 3 Artist Proofs. Available 100/100, AP 1/3, AP 3/3. Arc...
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Boccia I (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women, Color
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