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Stefanie Schneider
Ok Corral (Stranger than Paradise), triptych, analog, 58x56cm each - Polaroid

1999

$7,500
£5,682.88
€6,509.28
CA$10,622.90
A$11,592.05
CHF 6,080.23
MX$140,789.35
NOK 75,945.38
SEK 71,772.18
DKK 48,582.79

About the Item

OK Corral (Stranger than Paradise), triptych - 1999 Edition of 10, each 58 x 56 cm, together with gaps 58x185cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the 3 Polaroids. Signature label and Certificate. Artist Inventory 318.05. Not mounted. "Ok Coral" is a striking triptych that captures a raw and escalating tension through its portrayal of a solitary man with a rifle. The progressive closeness in each frame creates an unsettling sense of inevitability, drawing the viewer into a psychological progression. The character's expression, especially in the final image, reflects the complexity of his emotions—fear, power, and stress all blend together, revealing his vulnerability and his fragile grip on control. The rifle, though not prominent, remains a subtle symbol of both protection and aggression, adding weight to the character's internal conflict. The golden, chaotic chemical effects surrounding the images amplify the emotional volatility, as if the environment itself is mirroring the man's inner turmoil. The wild unpredictability of the medium seems to echo the uncontrollable forces he faces, whether external or within himself. This work could be compared to some of the intense character studies seen in films like The Deer Hunter, where psychological tension plays out in an environment that feels at once familiar and hauntingly alien. The quiet, raw intensity of the man’s gaze, combined with the surreal atmosphere of the piece, evokes a sense of impending fate, of a moment caught just before an explosion. It’s a moment of crisis that feels both personal and universal—one that challenges the viewer to grapple with the fragility of the human experience in times of turmoil. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, DZ Bank Kunstsammlung, Bombay Beach Biennale, DZ Bank Collection, Frankfurt.

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Located in Morongo Valley, CA
OK Corral - part 2 - (Stranger than Paradise), - 1999, 20x20 cm, Edition 5/10, digital C-Print based on the Polaroid, Artist Inventory 318_2.18, Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
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(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
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 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...
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