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Stefanie SchneiderOlancha (Stranger than Paradise) - 6 pieces2006
2006
$3,500
£2,644.83
€3,054.14
CA$4,890.72
A$5,426.67
CHF 2,842.61
MX$66,545.51
NOK 36,156.96
SEK 34,130.63
DKK 22,776.60
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About the Item
Olancha (Stranger than Paradise) - 1999, (6 pieces)
38x36cm each, 80x120cm installed with gaps,
Edition of 10, plus 2 Artist Proofs,
6 archival C-Prints, based on the 6 Polaroids.
Signature label and Certificate.
Artist Inventory No. 722.
Not mounted.
published in: STRANGER THAN PARADISE, Hatje Cantz Verlag, Ostfildern, 2006, (monograph)
Stefanie Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept.
Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream.
Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection.
Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2006
- Dimensions:Height: 31.5 in (80 cm)Width: 47.25 in (120 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316374742
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Category
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From Now On (The Last Picture Show)
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From Now On (The Last Picture Show) - 2005,
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Other Desert Cities (Sidewinder)
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Signature label and Certificate.
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Category
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