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Stefanie SchneiderThe other day I was sure I knew what is good and what is bad - Polaroid2015
2015
About the Item
The other day I was sure I knew what is good and what is bad (The Girl behind the White Picket Fence) - 2015
50x50cm,
Edition of 10, plus 2 Artist Proofs.
Digital C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory # 13866.
Not mounted.
Offered is a piece from the movie: The Girl behind the White Picket Fence
A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer .
That’s a compelling quote — "If you want to learn what someone fears losing, watch what they photograph." When applied to Stefanie Schneider’s work, it reveals a rich undercurrent of longing, fragility, and the ache of impermanence.
Schneider's Polaroids are drenched in the ephemeral: sun-bleached deserts, abandoned motels, half-glimpsed lovers, wistful stares, and dreamlike stillness. These are not just aesthetic choices — they are emotional records. What she photographs — fleeting light, transient beauty, broken timelines — suggests a fear of losing time itself, along with memory, youth, love, and emotional connection.
Her use of expired Polaroid film isn’t nostalgic for the sake of style — it’s a deliberate act of preservation in the face of decay. The film is already breaking down, much like the moments she captures. But instead of resisting that, she embraces it. There’s a tender defiance in her images: If I photograph it now — even as it fades — I can keep it alive a little longer.
In that sense, Stefanie may fear losing:
Authentic emotional connection, seen in her raw, unguarded portraits.
The California dream, which in her work is always both seductive and slipping away.
The past, not as it was, but as it felt.
Intimacy, in all its forms — romantic, familial, or even self-reflective.
Each photograph is like a fragile spell cast against forgetting. They’re not about preserving perfection — they’re about holding onto what’s real, even when it’s broken or about to vanish.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2015
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316253512
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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