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Stefanie Schneider
Radha Mind Screen (Stranger than Paradise), triptych, analog, 58x56cm each

1999

About the Item

Radha Mind Screen (29 Palms, CA), triptych - 1999 58 x 57cm each, together with gaps 58x180cm, sold out Edition of 10, Artist Proof 1/2, analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, based on 3 Polaroids, Artist Inventory 273. Not mounted. The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. Schneider seeks out faded American myths and distills a charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Stefanie Schneider's Polaroid photography and Andy Warhol's Polaroid photography both hold significance in the realm of instant photography, but they exhibit distinct approaches and contributions to the medium. While Andy Warhol is renowned for his experimentation with Polaroid photography, particularly through his exploration of celebrity portraits and his innovative use of color, Stefanie Schneider's work takes the medium even further in terms of depth and narrative. Schneider's Polaroid photographs go beyond capturing surface aesthetics. She delves into the realm of storytelling and evokes a strong sense of emotion through her compositions. By utilizing expired film and embracing its inherent imperfections, Schneider creates a dreamy and nostalgic quality in her images. Her work often explores themes of longing, loneliness, and the passage of time, inviting viewers to engage with the narratives she presents. In this sense, Schneider's Polaroid photography transcends the medium itself and becomes a vehicle for introspection and contemplation. Warhol's Polaroid photographs have their own artistic merit, often capturing iconic figures and embracing the pop art aesthetic, they tend to emphasize the surface and the iconic status of the subjects. Warhol's approach is more focused on the immediate visual impact rather than delving into deeper narratives or emotions. In terms of pushing the boundaries of Polaroid photography, Stefanie Schneider's work can be seen as a more significant progression. Her use of expired film, combined with her attention to composition, lighting, and vintage aesthetics, creates a distinct and immersive experience for viewers. She expands the possibilities of Polaroid photography by infusing it with a poetic and introspective quality, going beyond the instant capture to explore the realms of memory, time, and personal connection. In summary, Andy Warhol's Polaroid photography is notable for its iconic subject matter and exploration of color, Stefanie Schneider's work takes Polaroid photography to new depths. Her emphasis on storytelling, emotion, and the transformative power of expired film sets her work apart and showcases her ability to elevate the medium into a realm of contemplation and artistic expression.

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Last Season (Wastelands), diptych, analog, mounted
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Reality as Fluidity: Stefanie Schneider’s Wastelands By James Scarborough In a world constantly seeking answers, Stefanie Schneider captures the moments that defy understanding, em...
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Renée's Dream (Days of Heaven), no 10
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'Renée's Dream' no. 10 (Dauys of Heaven), 26 x 32cm, 2005 Archival C-Print, Edition of 10, Artist Proof 4/4. based on an expired Polaroid. Artist inventory 8088. Signature Label...
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Early 2000s Contemporary Color Photography

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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Sidewinder, analog, triptych, Contemporary, Polaroid, Photograph, Abstract, love
By Stefanie Schneider
Located in Morongo Valley, CA
Sidewinder, triptych - 2005 38.5 x 38 cm each, installed 38.5 x 124cm, Edition of 5, Analog C-Print, hand-printed by the artist, based on the 3 Polaroids Artist Inventory 3017.01, ...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Guadalupe (The Last Picture Show) - mounted, analog, Polaroid, Contemporary
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Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Mounted on Alumi...
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Early 2000s Contemporary Color Photography

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A Vision you can't Capture # 03 (29 Palms, CA) - Polaroid, analog, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
A Vision you can't Capture #03 (29 Palms, CA) - 2007 A piece from the project: 29 Palms, CA 50x61cm, Edition 2/5. Analog C-Print printed on Fuji Archive Paper, hand-printed by th...
Category

Early 2000s Contemporary Color Photography

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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Buried - 8 pieces - Contemporary, Figurative, expired, Polaroid, analog
By Stefanie Schneider
Located in Morongo Valley, CA
Buried (Stranger than Paradise) - 2003 Edition of 5 plus 2 Artist Proofs. 38x36cm each, 90x175cm installed. 8 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive P...
Category

1990s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

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