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Stefanie Schneider
Tree at Night (Last Picture Show)

2003

$1,073.06
£794.97
€900
CA$1,470.03
A$1,631.13
CHF 854.42
MX$20,001.99
NOK 10,867.92
SEK 10,258.85
DKK 6,846.10
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About the Item

Tree at Night (Last Picture Show) - 2003 Edition of 5, 38x36cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory Number 1155. Signature label and Certificate. Not mounted. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' The first to use expired Polaroid film as their medium and in doing so inspired the resurrection of Polaroid film itself. Saving the last production line in the world from it's impending destruction in 2008. Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider. (Barnebys UK, May 3, 2017)

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