Stéphane Couturier

Reims – Champagne – From Lurçat's point of view – Stéphane Couturier, Tapestry

2023

Yoshinori MIZUTANI (*1987, Japan) sakura 011, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3, plus 2 AP print only ...

Jun AHN (*1981, South Korea) Self-Portrait (Seoul), 2013/14 Archival pigment print, , face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 101.6 x 152....

Yoshinori MIZUTANI (*1987, Japan) sakura 001, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3, plus 2 AP print only ...

Michael WOLF (1954 – 2019, Germany) back door 48, 2003 Archival Pigment Print on Hahnemuehle art rag paper 40.6 x 50.8 cm (16 x 20 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong where he died in April 2019. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf has been focusing on his own projects, publishing over thirty books of his work. His work is held in many permanent collections including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San Jose Museum of Art in California, the Museum of Contemporary Photography in Chicago, the Museum Folkwang in Essen, the Hong Kong Heritage Museum, and M+ in Hong Kong. back door: The dark back alleys that crisscross the city are home to objects that, at first glance, seem to be discarded—the random detritus of the man-made world. Under the scrutiny of Michael Wolf's photographic eye, these objects become fascinating installation pieces, while the abstract patterns of the buildings reveal the beauty and order that underlie the apparent chaos of the city. Thought-provoking texts by Kenneth Baker and Douglas Young explore the choices that people make of lifestyle, form, function, identity, and design, as well as the notion of Hong Kong as a brand. – Art, Cityscape, Architecture, City, Michael Wolf, Street Photography, Colour Photography, Hong Kong, Pink dog...

Yoshinori MIZUTANI (*1987, Japan) sakura 013, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3, plus 2 AP framed print...

Jun AHN (*1981, South Korea) Self-Portrait (Seoul), 2013 Archival pigment print, , face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 101.6 x 152.4 c...

Hunter Thompson and Anita Bejmuk at home, Aspen, Colorado, 7 July 2002 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Pr...

Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010 "Trompe l'oeil (and not)" Photographed by Jonathan Becker Contemporary 28" x 28.5...

at the Darulaman Palace, Kabul, August 2003 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 15 Certificate of Origin Signed and T...

Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Ce...

Yanomami, Amazonia, Brazil, January 1995 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 2 of 9 Certificate of Origin Signed and Titled...

Chevalier André Leon Talley on the Pont Alexandre III at six in the morning, Paris, 30 June 2013 Photographed by Jonathan Becker Contemporary 44" x ...