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Stephen MallonDisplacement
$2,150
£1,596.49
€1,875
CA$2,991.25
A$3,349.01
CHF 1,755.99
MX$41,379.06
NOK 22,126.62
SEK 20,886.65
DKK 13,989.76
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About the Item
photograph, edition of 5, unframed
This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility ever built." In keeping with his previous series (which have included projects about planes, ships, and subway cars) Mallon again looks at large scale industrial operations, this time REALLY large scale.
The Prelude is 1,600 feet long and displaces 600,000 tons of water. Designed to process natural gas on site and then prepare it for transport by chilling it to -260 degrees Fahrenheit and 600 times more dense, The Prelude will supply more natural gas then what Hong Kong consumes in a year. Taller than the Empire State Building and just shy of the height of the freedom tower, the prelude is a 15+ year project and design to tap and refine a 3 trillion cubic foot reserve of natural gas off the coast of Australia.
Mallon was commissioned by the by the New York Times Magazine to photograph the behemoth while still under construction in Samsung's yard in South Korea during the summer of 2014. Obsessed by structure and design, Mallon searched out moments of the Prelude's assembly emphasizing its sheer mass and unusual architectural sophistication.
Mallon has gained international attention for his project "American Reclamation" which includes the series "Next Stop Atlantic" focusing on decommissioned NYC subway cars that were reefed in the Atlantic Ocean, as well as "Brace For Impact, The Aftermath of Flight 1549" famously known as the "Miracle on the Hudson" in which Captain "Sully" Sullenberger safely landed and airbus in the Hudson river saving the lives of all the crew and passengers of the plane. His works have been seen in such publications as National Geographic, The New Yorker, New York Times, Vanity Fair, Wired, CNN, MSNBC, Stern, PetaPixel, Viral Forest, BuzzFeed, New York Magazine, The Huffington Post, CBS, and NPR.
Stephen Mallon's photographs have been exhibited at such venues The Brooklyn Public Library, The Visual Arts Center of New Jersery, The University of the Arts in Philadelphia, Mass Art, Webster University, the Waterfront Museum in Brooklyn, NY. and are in numerous important international collections.
*F.L.N.G. stands for floating liquefied natural gas.
- Creator:Stephen Mallon (American)
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU692577972
Stephen Mallon
Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles.
Mallon is well known for his series "Next Stop Atlantic," featuring decommissioned NYC subway cars as they are retired in the depths of the Atlantic Ocean as artificial reefs, as well as his series "Brace for Impact," which chronicles the reclamation of the plane which was successfully landed in the waters of the Hudson River by Captain "Sully" Sullenberger.
Mallon’s work has been exhibited in museums and galleries internationally and his work has been written about in many publications, including National Geographic, The New Yorker, New York Times, Vanity Fair, Wired, Stern, PetaPixel, Viral Forest, BuzzFeed, New York Magazine and The Huffington Post. Mallon’s work has also been featured on CNN, CBS, MSNBC and NPR. Mallon lives in New York with his wife and daughter.
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photograph, edition of 5, unframed
This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility ever built." In keeping with his previous series (which have included projects about planes, ships, and subway cars) Mallon again looks at large scale industrial operations, this time REALLY large scale.
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Feed
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edition of 5
From the series: "Prelude" by Stephen Mallon which will be featured in a solo exhibition at the Front Room Gallery this September.
This body of work is an examination of the “Prelude F.L.N.G.,”* the “largest offshore floating facility ever built.” In keeping with his previous exhibitions (which have included projects about planes, ships, and subway cars) Mallon again looks at large scale industrial operations, this time REALLY large scale.
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" 1600" C Print Photograph, 30"x45"
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