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Available Unframed
edition of 5
From the series: "Prelude" by Stephen Mallon which will be featured in a solo exhibition at the Front Room Gallery this September.
This body of work is an examination of the “Prelude F.L.N.G.,”* the “largest offshore floating facility ever built.” In keeping with his previous exhibitions (which have included projects about planes, ships, and subway cars) Mallon again looks at large scale industrial operations, this time REALLY large scale.
The Prelude is 1,600 feet long and displaces 600,000 tons of water. Designed to process natural gas on site and then prepare it for transport by chilling it to -260 degrees Fahrenheit and 600 times more dense, The Prelude will supply more natural gas then what Hong Kong consumes in a year. Taller then the Empire State Building and just shy of the height of the freedom tower, the prelude is a 15+ year project and design to tap and refine a 3 trillion cubic foot reserve of natural gas off the coast of Australia.
Mallon was commissioned by the by the New York Times Magazine to photograph the behemoth while still under construction in Samsung's yard in South Korea during the summer of 2014. Obsessed by structure and design, Mallon searched out moments of the Prelude’s assembly emphasizing its sheer mass and unusual architectural sophistication.
- Creator:Stephen Mallon (American)
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU692533102
Stephen Mallon
Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles.
Mallon is well known for his series "Next Stop Atlantic," featuring decommissioned NYC subway cars as they are retired in the depths of the Atlantic Ocean as artificial reefs, as well as his series "Brace for Impact," which chronicles the reclamation of the plane which was successfully landed in the waters of the Hudson River by Captain "Sully" Sullenberger.
Mallon’s work has been exhibited in museums and galleries internationally and his work has been written about in many publications, including National Geographic, The New Yorker, New York Times, Vanity Fair, Wired, Stern, PetaPixel, Viral Forest, BuzzFeed, New York Magazine and The Huffington Post. Mallon’s work has also been featured on CNN, CBS, MSNBC and NPR. Mallon lives in New York with his wife and daughter.
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