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Steve FitchRadio Tower between Trujillo & Las Vegas, New Mexico, September 9, 2006
$2,000
£1,511.33
€1,745.22
CA$2,794.70
A$3,100.95
CHF 1,624.35
MX$38,026.01
NOK 20,661.12
SEK 19,503.22
DKK 13,015.20
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About the Item
From the Vanishing Vernacular series.
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadside landscape including topologies of neon motel signs, drive-in movie theaters, radio towers, and ancient rock pictographs. We are also proud to display Fitch’s large scale murals for the first time in Santa Fe.
"The photographs in [Vanishing Vernacular] blaze a trail through our Western landscape. It was a selective and personal view that was created over thirty-eight years and many miles traveled. Although it is my story, I think it is also one that most Americans who have wandered our roadways in the West will recognize and appreciate. It is also a story that is evolving and that has not ended.” – Steve Fitch
Print available in a Limited Edition of 12
- Creator:Steve Fitch (1949, American)
- Dimensions:Height: 15 in (38.1 cm)Width: 19 in (48.26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13422696961
Steve Fitch
After graduating from the University of California at Berkeley in 1971 with a bachelor's degree in anthropology, and while teaching photography at the ASUC Studio on the Berkeley campus, I began work on a project photographing the vernacular roadside of the American highway. I received two National Endowments for the Arts Fellowships to aid in the completion of this project, one in 1973 and the second in 1975. Eventually, the photographs were published in the monograph, Diesels and Dinosaurs, in 1976. After receiving a master's degree in fine arts from the University of New Mexico in Albuquerque in 1978 I accepted a teaching position at the University of Colorado in Boulder. In 1981, as a member of the "Marks and Measures" project, I began photographing prehistoric Native American pictographs and petroglyph sites in the American West. This project was partly funded by the last National Endowment for the Arts Survey Grant awarded in 1981. My work on the project, along with that of the other four project members, was published in a monograph, Marks in Place: Contemporary Responses to Rock Art, by the University of New Mexico Press in 1988. I received several purchase awards in various exhibitions for photographs made during this period. Partly as a result of the work I did for Diesels and Dinosaurs, I became interested in the artistic possibilities of neon and learned to fabricate my own neon pieces in 1981. I have made a number of neon installations over the past thirty years, several of which are permanently located in outdoor locations in New Mexico. In 1990, after teaching at Princeton University for four years in the Visual Arts Program, I returned to New Mexico and began photographing the ongoing abandonment of the high Great Plains receiving the Eliot Porter Fellowship from the New Mexico Council for Photography in 1999 to aid in the completion of this project. In 2003 a book of these photographs entitled Gone: Photographs of Abandonment on the High Plains was published by the University of New Mexico Press and a traveling exhibition of the photographs was organized by the University of New Mexico Art Museum. The entire exhibition of forty photographs was purchased by the Smithsonian American Art Museum in Washington, D.C. Since 1990 I have taught photography at the College of Santa Fe. Today, my wife and I live off the grid in a passive solar adobe house we constructed ourselves over six summers, beginning in 1984, on rural land in Santa Fe County, New Mexico. We use photovoltaic panels to meet all of our electricity needs and collect water in an extensive rainwater gathering system. Recently, I finished a project photographing in the Llano Estacado region of western Texas and eastern New Mexico. My work on the project, as well as that of five other photographers, was partly funded by a grant from the Southwest Collection at Texas Tech University and will be published in an upcoming monograph by Texas Tech University Press.

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View AllRadio Tower on the Llano Estacado near Umbarger, Texas; March 11, 2005
By Steve Fitch
Located in Sante Fe, NM
From the Vanishing Vernacular series.
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadside landscape including topologies of neon motel signs, drive-in movie theaters, radio towers...
Category
Late 20th Century Contemporary Color Photography
Materials
Archival Pigment
Radio Tower near Sudan, Texas; October 18, 2010
By Steve Fitch
Located in Sante Fe, NM
From the Vanishing Vernacular series.
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadside landscape including topologies of neon motel signs, drive-in movie theaters, radio towers...
Category
Late 20th Century Contemporary Color Photography
Materials
Archival Pigment
Highway 26, Shoshoni, Wyoming; June 9, 2021, color photograph, signed
By Steve Fitch
Located in Sante Fe, NM
"Highway 26, Shoshoni, Wyoming; June 9, 2021" is a color photograph by Steve Fitch. This piece is printed by the artist using archival pigment inks and is signed.
In American Motel Signs, Steve Fitch documents the changing landscape, capturing the bright neon motel signs littered across long highway expanses throughout the West.
The delightful photographs in this series, map out Fitch’s extensive journey to seek out a typology of visual relics that are quickly fading into the American collective memory. For Fitch, these motel signs carry an unquestionable enchantment in their folk originality — the blocky fonts and garish designs. His work is a road trip to the past, down lonesome highways where these emblems of roadside American...
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2010s Contemporary Color Photography
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Highway 90, Van Horn, Texas; March 24, 2006
By Steve Fitch
Located in Sante Fe, NM
In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...
Category
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Materials
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Sign on I-40 West of Tucumcari, New Mexico, July, 1990
By Steve Fitch
Located in Sante Fe, NM
From the Vanishing Vernacular series.
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...
Category
Late 20th Century Contemporary Color Photography
Materials
Archival Pigment
Highway 66, Peach Springs, Arizona; April 10, 2022
By Steve Fitch
Located in Sante Fe, NM
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
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