Steve Fitch

Texan Motel, Highway 64, Raton, New Mexico; December 19, 1980

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Reuben Wu (born 1975) is a photographer, director, music producer and member of the electronic band Ladytron. AE 1514 is from his ongoing series Aeroglyphs. An evolution of my Lux N...

Reuben Wu (born 1975) is a photographer, director, music producer and member of the electronic band Ladytron. AE 1514 is from his ongoing series Aeroglyphs. An evolution of my Lux N...

Adrift is a project that uses a visual language as a means of polar comparison. By pairing photographs of Antarctic icebergs and empty In~upiat Eskimo hunting cabins, it offers a res...

Adrift is a project that uses a visual language as a means of polar comparison. By pairing photographs of Antarctic icebergs and empty In~upiat Eskimo hunting cabins, it offers a res...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research f...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Klaus is an aerial photographer and a pilot of a small Cessna plane. All of his pieces were not staged or manipulated and can be custom size. Since 1989 Klaus is flying with his Cess...