Steve Miller

Vivier Red

2016

Listing is for FRAMED print. Edition of 5. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after December ...

Listing is for framing. UNFRAMED print. Inquire within for Any framed photographs purchased during the show will be available after March 1st, 2020. If the exhibition piece is sold ...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery, as well as group exhibitions at the Museum of the City of New York and the International Center for Photography. Kocharian was also a finalist in the Smithsonian Magazine Photo Competition. This is his third solo show at the Robin Rice Gallery. Color, urban, American, New York, New York City, NYC, Landscape, Night, Evening, Surreal, nocturne, warm colors, rain, ICM, noir, streetlight, subway, metro, train, Wall st...

This listing is for the unframed photograph. Please inquire for framing. A NEW COLLABORATION Tina West + Tucker Robbins 2020 The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice. Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind. Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka Table” is an Acadian side-table found nearby that was named by the Bamun carvers of Cameroon who likened its circular design to snake walking. Together, West and Robbins make for an installation that invites audiences to sit down and connect to the fine art objects in a manner different from what they are regularly accustomed to at the Robin Rice Gallery. In speaking of her influences, West cites Josef Sudek as an early inspiration on her work for how he made evocative black and white photographs out of everyday happenings. Sudek himself once remarked, “I like to tell stories about the life of inanimate objects, to relate something mysterious.” This statement resonates well within West’s own work as she demonstrates a similar gift for finding the beauty in the banality of things overlooked. Her work also shares a kindred spirit with the eccentric assemblages of disparate images made by Joseph Cornell and the experimental platinum prints of Jan Groover...

Fruits Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 40 x 60 in Refine Sugar Collection. This photograph will be printed once payment has been rec...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in Roberta Fineberg's photo series inspired by the poetry of the 13th Century Persian poet...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series by Roberta Fineberg inspired by a poem by 13th Century Persian poet Rumi a great believer in the power of love: ‘Whatever you know, or don’t - only love is real’. A contemporary color photograph of a butterfly the work explores the natural and man-made world in which a caterpillar breaks free of its skin for a metamorphosis. Hatching into an exquisite creature...

For the pastel blue and white photograph “Cloud” the artist Roberta Fineberg’s attention and equilibrium remained anchored on an anthropomorphic cloud during an unusual springtime (2020) in New York. With the soul of the City laid bare, birds sang louder than usual outside city dwellers’ windows. Sunlight illuminated the empty streets, formerly bustling. Nature reigned. A contemporary color photograph, Cloud, 2020 by Roberta Fineberg is 16" x 20" (sheet size) an archival pigment print on baryta paper in an edition of 5. Photograph is signed by the artist. Provenance: RF Studio *** Artist Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art...