85 New Wave Color Photography

Michael Caine contact sheet print by Brian Duffy - London 1964 This session with Michael Caine was shot by Duffy in 1964, the same year that the film Zulu was released which was hi...

"Marilyn Monroe With a Gold Cup, 1953" Photograph 20 x 20 in by Milton H. Greene Edition: AP Silver gelatin limited edition photographic print on paper Comes in white frame Size fra...

"The Lips" Figurative Photography 24" x 24" Edition of 15 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish S...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. It depicts two blue inflatable chairs a...

Moorcroft is made entirely by hand in England for collectors throughout the world. Every piece of Moorcroft has marks on the base which will tell a story. They identify the designer...

This wall-hanging artwork titled "A Thing Of Beauty #4 (Papilio)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. T...

a series of observations on French master paintings and their opulent gilded frames GILDED DRAMA by Frank Schott 40 x 32 inches / 102 cm x 8...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

This wall-hanging artwork titled "A Thing of Beauty #5 (Inachus)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. T...

Record Room, Havana, Cuba, 2014 Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresholds that divide and connect the sea to land....

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. It depicts a home basement that is covered in gold metallic tassle curt...

Framed, Hand-woven photography print. This piece is an original artwork by Jason Chen titled "Like Nobody’s Watching". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 40.5”h x 30”w and ships framed in the pictured 44.75”h x 34”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his first solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...