Conceptual Color Photography

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print Flora 2 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited E...

Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...

An intimate portrayal of nature’s elaborate choreography, Cosmic Dance is a fine art photograph that invites the viewer into a world of vibrant textures and earthy chromatics. With i...

Riggs Library I, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. T...

In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...

In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Edition of 5 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 42 x 34 1/2 in., Image: 40 x 3...

This captivating macro photograph by German artist Reinhard Görner draws the viewer into the intricate, sensuous details of a blooming iris. The soft, velvety petals in shades of vio...

The photograph measures 40 x 60 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

The photograph measures 40 x 40 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

Reinhard Görner Château de Fontainbleue III Library France 50" x 50" Edition of 25 $6,000 60" x 60" Edition of 15 $9,000 70" x 70" Edition of 10 $11,000 signed and numbered on la...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...

50 x 46.3 inches ed. of 10 $6,000 60 x 55.6 inches ed. of 7 $9,000 70 x 64.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format p...

Ritual Sacrifice (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This se...

SLAVES WE WERE, 1982, color photograph, signed and dated and titled in ink, numbered 3/50, sheet 12 x 16”. Hand signed, titled and has the edition number on the recto. Gerard Allon, ...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive ...

Cosa Mentale (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This series...

Experience of the Limits (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity"....

Heart, Mind and Nervous System (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Recipro...

This large-scale interior architectural photograph by German artist Reinhard Görner depicts the bust of Sir Isaac Newton in the Trinity College librar...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Biblioteca Classense Ravenna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso The...

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Notes on the Old National Gallery...

large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...

large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Kate - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Emily - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Mika - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Page - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Pip - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Shosh - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella and May - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef S...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Sui - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef Sisters" i...

Two Men in an Embrace Printed to order Gay content Inquire about various sizing Comes unframed. About the Artist: Short Biography in a Nutshell: A fun journey My first foray into...

This large-scale interior architectural photograph by German artist Reinhard Görner depicts the bust of Sir Isaac Newton in the Trinity College librar...

Referencing immigrants and the disabled. Social commentary conceptual artwork. Provenance: Deaccessioned from a New York University. Condé + Beveridg...

Shimon Attie (American, b. 1957), Untitled Memory (Projection of Marsha A.) Ektacolor photograph, 1998, from the Untitled Memory series, Gallery label to verso, Jack Shainman Gallery, New York matted and framed. Frame dimensions 27 3/4 x 32 1/4 in, photo 25 X 31 Provenance: from the Estate of the late Ron and Anne Dees, Fayetteville, North Carolina Ron and Anne Dees were longtime collectors, lovers, and patrons of art. Starting in the late 1990s, they began their art acquisition and collection, focusing substantially on contemporary art. Their affinity for art went far beyond simply collecting and displaying. Ron served as a docent at the esteemed Corcoran Gallery of Art in Washington, DC, from the late 1990s into the 2000s. In the series "Untitled Memory," Attie revisited his former (and then-deserted) apartment in San Francisco, projecting black-and-white snapshots of his friends and family in spaces that they previously occupied. The desaturated figures have a specter-like appearance and are often depicted in repose or rest, as if in a perpetual state of waiting. The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Biblioteca Classense Ravenna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso The sunlit entrance to the Sala delle scienze e delle arti (Hall of sciences and arts) with the bust of Teresa Gamba (Lord Byron’s lover) in background. The vista is framed by a rhythmic repetition of gleaming wooden doorways and archways, housing shelves of antique tomes. Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library...

Reinhard Görner Rose Main Reading Room, 2014 New York Public Library New York, NY 50 x 63.5 inches Ed. of 10 $6,000 60 x 76.2 inches Ed. of 7 $9,000 70 x 88.9 inches Ed. of 5 $11,...

Biblioteca Piccolomini Siena, Italy 2022 Immerse yourself in the grandeur of history and art with this captivating photograph of the Biblioteca Piccolomini by acclaimed photographer...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...

Biblioteca Marucelliana Florence, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso ...

30 Cents Singapore Orchid Blue, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, accompanied by a signed and numbered certificate of authenticity. The print is fragile and it is recommended it is handled and framed professionally. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

Grass, blue abstract photography from the Richard Heeps series Ordinary Places, photographing Britain on the brink of change. It was Richard's first colour collection and was shot be...

Hubcap, subtle interior photography from the Richard Heeps series Ordinary Places, photographing Britain on the brink of change. It was Richard's first colour collection and was shot...

large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...

30 Cents Singapore Orchid Yellow, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...

30 Cents Singapore Orchid Blue, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...

30 Cents Singapore Orchid Green, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

30 Cents Singapore Orchid Pink, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

LETTER H by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

Red Lips, part of Richard's 2016 Hong Kong series, this street photography artwork captures the essence of Kowloon. The bold typography makes cool original pop art. The artwork is a...

'Untitled' 2014 - 8.5cm x 8.5cm. Edition of 10 plus 2 Artist Proofs. Archival Print, based on a Polaroid SX-70 B&W Negative Scanning. Signed, embossed stamp and artist certificate. Not mounted. Short Bio: Xulong Zhang has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for his photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...

'±ÍÃ' - 2010 - 21.5 cm x 27cm, Edition of 10 plus 2 Artist Proofs, Archival Print, based on a Polaroid 809, Signed, embossed stamp and artist certificate. Not mounted. Xulong Zhang Short Bio: He has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography...