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Tyler Shields
Louis Vuitton Kiss (63" x 84")

2022

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  • Tyler Shields - Take 2 of These and Call Me in The Morning, 2021, Printed After
    By Tyler Shields
    Located in Greenwich, CT
    Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...
    Category

    2010s Contemporary Color Photography

    Materials

    Luster, Paper, Archival Ink, Archival Paper, Photographic Paper, C Print...

  • Ali Alışır - Hybrid Souls 05, Photography 2020, Printed After
    By Ali Alışır
    Located in Greenwich, CT
    Available sizes and editions: 53.93 in (137 cm), 114.17 in (290 cm), Edition of 3 with 2 Artist Proofs 48.43 in (123 cm), 102.36 in (260 cm), Edition of 3 with 2 Artist Proofs 44.88...
    Category

    2010s Contemporary Figurative Photography

    Materials

    Luster, Digital Pigment, Archival Pigment, Inkjet, Digital, Photographic...

  • Jimmy Nelson - XXII 5 // XXII China (29.13" x 24.41"), 2016, Printed After
    By Jimmy Nelson
    Located in Greenwich, CT
    XXII 5 Longhorn Miao In the Southern Chinese province of Guiyang there is a small number of exceptionally remote and traditional villages of the Miao people. The second one Jimmy vi...
    Category

    2010s Color Photography

    Materials

    Pigment, Archival Paper, Archival Pigment

  • Tyler Shields - Ferrari Bunny, Photography 2022, Printed After
    By Tyler Shields
    Located in Greenwich, CT
    Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proof...
    Category

    2010s Contemporary Figurative Photography

    Materials

    Digital Pigment, Luster, Archival Pigment, Pigment, Digital, C Print, Pi...

  • Tyler Shields - Ferrari Monochrome, Photography 2022, Printed After
    By Tyler Shields
    Located in Greenwich, CT
    Series: Ferrari Monochrome Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Art...
    Category

    2010s Contemporary Figurative Photography

    Materials

    Digital Pigment, Luster, Archival Pigment, Pigment, Digital, C Print, Pi...

  • Tyler Shields - Handcuff High Heel, Photography 2022, Printed After
    By Tyler Shields
    Located in Greenwich, CT
    Daring and suggestive, Shields’ photographs push the envelope to create a thought-provoking experience for each viewer. His work contains its own unique dialogue, with subjects rangi...
    Category

    2010s Contemporary Figurative Photography

    Materials

    Luster, Paper, Ink, Archival Paper, Pigment, C Print, Digital, Pigment, ...

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    David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...
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  • Siren immobilised in marble locked in embrace and galleon ship in the background
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    Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
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