August Edouart

"Joshua H. Pierce, Lithographer, New York, January 19 1840", Silhouette

1840

SALE ONE WEEK ONLY "The Rev. and Mrs. E. H. Cumpston" a silhouette cut by August Edouart is in very good condition and cut by the artist sometime between 1839 - 1849. On the lower f...

Flowers were one of Culver's favorite subject. This stunning portrait of a red flower draws the viewer into its very center as powerfully as any flower portrait by Georgia O'Keeffe. It is the idyllic flower that can be described as in the romantic style wherein the subject depicted is a more desired or dramatic version of what actually is. It is signed and dated by the artist on the lower left. This piece has been professionally reframed with acid-free matting and museum glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...

This enchanting mural proposal done with graphite is exemplary of Hubert Massey's style. Within the piece pre-industrial civilization finds itself side-b...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject i...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male standing in pose. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

Crayon style colouring after Francois-Andre Vincent. The sheets are a typical example of the highly developed colour printing technique used by Gilles Demarteau and his pupil and nep...

Peter Schlemihl’s Wundersame Geschichte is an original modern rare book written by Adelbert von Chamisso (Châlons-en-Champagne,1781 – Berlin, 1838) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1827. Published by Leonhard Schrag, Nürnberg. Original First Edition. Format: in 12°. The book includes 213 pages with Six full page Etchings and one Frontispiece. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone. Old Master Drawing

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

The works of William Smith were regularly exhibited at the Royal Academy in London between 1813 and 1859. Yet little is known about this artist. He lived in Shropshire and was active...