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Sebastian Perinotti
Bryce (View of Osaka, Japan from city's tallest building is in background)

2015

About the Item

THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3, Bryce was taken in Osaka, Japan at Abeno Harukas, Japan’s tallest building. The photograph was shot on 35mm film on a Contax T3 Sebastian Perinotti was born in Buenos Aires, Argentina in 1989. He studied International Relations and Political Science at Universidad de San Andres. Perinotti received his MFA in Photography and Related Media from Parsons, School for Design in New York in 2017 where he was awarded the Dean’s Merit Scholarship for Academic Achievement. Perinotti is currently represented by BA Contemporary Art in Buenos Aires, Argentina and has exhibited in Buenos Aires, Miami, New York, Japan, Los Angeles, Hong Kong and Amsterdam. Perinotti’s work is held in numerous collections, including the Museo Nacional de Bellas Artes, Museo MACRO de Rosario and La Casa de la Cultura in Buenos Aires, as well as private collections around the world. In 2019, his work was featured in the exhibition and online auction Boys! Boys! Boys!, which will culminate in the publication of a book in collaboration with the Elton John AIDS Foundation. In my work the viewer comes across subjects in found and created situations alike. It is always a difficult question to answer who these subjects are; in the most general sense I would best describe my subjects as lovers, friends and fellow artists. My subjects don’t necessarily act as my friends in the photographs, I usually don’t photograph them as friends. They are impersonators of their own and my ideas for an image. I see my subjects as accomplices in the creation of images and not mere means to an end. There is, of course, a component of desire to possess somebody which informs the partiality of my selections. While I do direct my subjects in a certain way, it is equally vital for a component of chance to be present; I try to make my subjects loose inhibitions in front of the camera while at the same time remaining aware of the whole practice. In my work the viewer comes across subjects in found and created situations alike. It is always a difficult question to answer who these subjects are; in the most general sense I would best describe my subjects as lovers, friends and fellow artists. My subjects don’t necessarily act as my friends in the photographs, I usually don’t photograph them as friends. They are impersonators of their own and my ideas for an image. I see my subjects as accomplices in the creation of images and not mere means to an end. There is, of course, a component of desire to possess somebody which informs the partiality of my selections. While I do direct my subjects in a certain way, it is equally vital for a component of chance to be present; I try to make my subjects loose inhibitions in front of the camera while at the same time remaining aware of the whole practice. try to respect the image each of my subjects has of themselves; I try to capture my subjects in a place in between this image they have of themselves and their true pure self. In my life I have connected with people who have a similar approach to life; who take seriously what is commonly thought of as alternative or a phase in their lives and who are comfortable with it. I am covering the range of my sensitivity. I am an archivist, gathering not only community experiences but also sights of metropolises, architecture, nature and quotidian life. I am in search of a present-day interpretation of landscape, still life and sexuality
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