Medium Figurative Photography

Jeff Robb Portal 12 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please ...

Jeff Robb Portal 14 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please ...

27"x40" edition of 10, available unframed for $3300, or framed (as shown) for $4200. (mounted, framed with hardwood, shadowbox frame with spacers, signed on reverse) This photograph was taken at the site of Brooklyn's Domino Sugar...

Signed and numbered Fine art print on Hahnemuhle photo rag paper Tim Bret-Day always felt like the odd one out and connected with the outsiders. Tim's dad was French, chic, and gre...

10"x30" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team collaborated in a writing session on the train car using the same colors, in gradient colors of yellow, orange and pink letters, outlined in blue. The cream white metal sides of the train car are the perfect 'canvas' for the tags some recognized as "Trigz" "Betor" "Croox" "ICR". The photographer, Stephen Mallon, captures this moving train car and its tagged graffiti sides as it travels through the landscape of America, with a bucolic blue clouded sky just behind the railroad freight train car. This is a limited edition, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains in the United States. This series tracks the still active railroad lines and their rail cars in America, featured in "Passing West". Front Room Gallery is pleased to present, “Passing West” a solo exhibition of photographs by Stephen Mallon. “Passing West” is a continuation of Mallon’s “Passing Freight” series, a visual celebration of the unique beauty and function of freight train cars in United States. This series of photographs captures the still active rail lines that carry freight to destinations across the country. Mallon’s industrial landscape photographs isolate freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years. The photos in “Passing West” are framed against the open plains, mountain ranges, and the salt flats— mostly taken during a residency at the Montello Foundation in 2020, in which Mallon travelled the countryside of Utah and Nevada. Poised against the rugged western landscape Mallon’s photographs of train cars often appear to carry the weight of the mountains themselves. Whether they are covered in graffitti or smartly displaying the rail lines iconic logos, each of these cars are brimming with it’s own individual personality. In one “Hopper” car, the tan car stands in front of the dusty desert mountains, and on it graffitti states “confront my toxic masculinty”. Another car, a yellow caboose with the crimson “Union Pacific” logo on it, would be as comfortable in an episode of “Thomas the Tank Engine” as on the set of “East of Eden”. Some of the open Box cars actually frame the mountains and flats themselves with their rectilinear shapes. These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict. About Stephen Mallon Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, The Atlantic, GQ, CBS, the London Times...

Towboat At Hotel Du Cap-Eden-Roc 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A motorboat, used to tow waterski...

Architect at Home 1977 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Architect Philippe Talien at his villa 'Bastide ...

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand finished wooden frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992 Vintage Silver Gelatin Print, Unique Image 36 x 28 cm (14 1/8 x 11 in.) Sheet 61 x 50.8 cm (24 x 20 in.) Frame 62 ...

24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged corridor of the abandoned Wayne Hills Mall, in Wayne, New Jersey. A waterlogged hallway leads from the crumbling atrium to the empty storefront shell of Art World, with its sign still intact on the upper wall of the shop. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

edition of 5, signed by the artist, Zoe Wetherall This image represents the combination of the artist's love of aerial photography and her personal fascination with the American lan...

24"x 30" photograph, edition of 5, signed on reverse This photograph was taken at Greystone Park Hospital, and shows a distressed abandoned operating room...

Beach Backgammon 1957 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. CAPTION: Backgammon on the beach at the Hotel Exc...

20"x30" This is a limited edition photograph, newly released by the New York artist, Stephen Mallon. It is 20"x30" edition #1 of 5, signed and editioned on the reverse. This color p...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

MILES ALDRIDGE (*1964, Great Britain) A Perfect Mum #5 2012 Chromogenic print Image 42.5 x 53.5 cm (16 3/4 x 21 1/8 in.) Sheet 50.5 x 61.5 cm (19 7/8 x 24 1/4 in.) Edition of 10, pl...

17"x25" signed on reverse, available unframed, This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of ...

X-Ray print onto textured metallic vinyl in black frame Limited Edition of 15 From artist's studio, signed recto. Accompanied with the catalog of the artist and the certificate of a...

Skiing Waiters 1960 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Three skiing waiters on a ski slope, with ...

Klosters 1963 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Skiers admire the view across a valley of clouds at Verbier, 1964. (Photo by Slim Aarons/Hulton Archive/Getty Images) Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy...

Skiing Waiters 1960 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Three skiing waiters on a ski slope, with ...

Hotel Punta, Capri, 1974 Chromogenic Lambda Print Estate edition of 150 The Hotel Punta Tragara on Capri, Italy, August 1974. Estate stamped and hand numbered edition of 150 with...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Autoportrait à l'Armée du Salut, 2021 Archival pigment print on Hahnemühle Photo-rag paper 70 x 50 cm (27 1/2 x 19 3/4 in.) Edition of ...

Private Island, Philippines 1973 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A guest relaxing on the beach of a private island owned by Philippine Airlines...

Lake Tahoe Couple 1959 C print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A couple at a swimming pool near Lake Tah...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a jetty in Porto Ercole, Italy. Es...

Slim Aarons Pool At Las Brisas, 1972 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Guests in the pool at the Las Brisas Hotel, Acapulco, Mexi...

Backgammon By The Pool, 1975 Chromogenic Lambda Print Estate edition of 150 Women playing backgammon while sunbathing at the Habitation Leclerc pool in Haiti, January 1975. Estate ...

Slim Aarons Verbier Skier 1964 C print Estate edition of 150 A blonde skier on the slopes at Verbier, February 1964. Estate stamped and hand numbered edition of 150 with certific...

Slim Aarons Laguna Beach Surfers 1970 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Surfers outside a b...

Slim Aarons Ingrid in Acapulco 1961 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Ingrid Morath sunbat...

Caption: A group of young women in their bathing suits on the Nevada side of Lake Tahoe, 1959. Slim Aarons worked mainly for society publications, taking pictures of the rich and f...

Slim Aarons Holiday In Boston 1959 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A sailing holiday on Barclay (Buzzy) H. Warb...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a jetty in Porto Ercole, Italy. Es...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Caption: A group of young women in their bathing suits on the Nevada side of Lake Tahoe, 1959. Slim Aarons worked mainly for society publications, taking pictures of the rich and f...

Slim Aarons Versace And Spagnol 1983 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Italian fashion designer Gianni Ver...

Untitled #23 (''Lynndied'') Digital C-Print by Josh Azzarella, 2006 Additional information: Medium: Archival digital c-print Edition of 7 + 3 AP Dimension: 20 x 30 inches (50.8 × 76...

Untitled #20 (Trang Bang) Digital C-Print by Josh Azzarella, 2006 Additional information: Medium: Archival digital c-print Edition of 7 + 3 AP Dimension: 20 x 30 inches (50.8 × 76.2...

1959: Socialite Alice Topping relaxing at a poolside in Palm Beach. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons...

Poolside Friendship 1970 (printed later) Chromogenic Lambda Print Estate edition of 150 Nelda Linsk (left, in yellow), wife of art dealer Joseph L...

"The Fairy Princess Levitating Planes Into the Night Sky at LAX" is a long-exposure photograph by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned i...

"Angels at the Music Center Fountain" is an original fine-art photograph by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned it in the lower left. E...

"Three Hawaiian Spirits in a Lava Tube" is an original fine art photography print by Robert Kawika Sheer. The artist signed the piece in the lower right and editioned it in the lower...

"Alien Signs at the Hollywood Sign" is an original fine-art photograph by Robert Kawika Sheer. This piece is signed in the lower right and editioned in the lower left. Edition: 34/250. The artist depicts the Hollywood sign from behind, showing the steel backing that holds up the H and the O. The city stretches out below the signs. In the lower left corner of the H sign...

"Spirits Dodging Fireworks at Lake Powell" is an original fine-art photograph by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned it in the lower le...

"Spirits Honoring the Lone Cypress No. 2" is an original fine-art photograph by Robert Kawika Sheer. This piece is signed in the lower right and editioned in the lower left. Edition ...

"Mono Lake, Spirit Shadows No. 1," is an original fine-art performance photograph by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned it in the lowe...

'Yoga Dunes' exemplifies the long-exposure photography of Robert Kawika Sheer. In the image, across an arabesque sand dune, silhouettes of the artist perform yoga, each figure drawin...

24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills Mall, in Wayne, New Jersey. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

"India Spirits, Rajasthan, India," is an original fine-art performance photograph by Robert Kawika Sheer, signed in the lower right and numbered in the lower left. The piece depicts an Indian shrine...

Slim Aarons Pool At Las Brisas, 1972 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Guests in the pool at th...

Slim Aarons Zermatt Skiing 1968 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The apres-ski in Zermatt, Switzerland, M...

This photograph has a total limited edition of 30 and can be printed in a variety of sizes. This listing is for a framed print - archival pigment print, Dibond mount, white floater...

24"x30" photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

24"x30 contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

Untitled, from Sub/Culture archival pigment inkjet 17x25" 2012 1/10 In the early 1990s, after moving to Providence, Rhode Island, he started producing formally complex, often dark ...

Hotel du Cap-Eden-Roc 1976 C print 30 x 30 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Guests standing by a white Rol...

24"x 30" photograph, edition of 5, signed on reverse This photograph taken at Greystone Park Hospital shows an old single bed that has been abandoned. The bed has been decayed to the point of simply being a decayed bed frame and piled wooden bed boards...

Palm Springs Life 1970 Chromogenic Lambda Print Estate edition of 150 Nelda Linsk (left, in yellow), wife of art dealer Joseph Linsk with guests by ...