Bob Willoughby

Audrey Hepburn, 1963 - Bob Willoughby (Portrait Photography)

Dustin Hoffman, 1967 - Bob Willoughby (Portrait Photography) Worldwide Shipping Available Signed by Christopher Willoughby, executor of the Estate, inscribed with title and photograp...

Elvis Presley and Sophia Loren, 1958 - Bob Willoughby (Portrait Photography) Worldwide Shipping Available Signed by Christopher Willoughby, executor of the Estate, inscribed with title and photographer's copyright information, numbered and stamped with photographer's estate copyright ink stamp on reverse. American photographer Bob Willoughby (1927-2009) had a photographic career that coincided with the Golden Age of film. As the first on set film photographer, Willoughby revolutionised the documentation of Hollywood. Willoughby was the first 'outside’ photographer employed by studios to document the making of films. His work forms a visual who’s who of cinema, rock and jazz music, theatre and dance over 20 years. Iconic images of a multitude of stars from the 1950s and 60s, including Dustin Hoffman and Anne Bancroft on the set of The Graduate, Dean Martin and Frank Sinatra casually playing Blackjack at the Sands Hotel, Las Vegas, Audrey Hepburn between takes on the set of My Fair Lady, Chet Baker recording the music for My Funny Valentine...

Chet Baker, 1953 - Bob Willoughby (Portrait Photography) Worldwide Shipping Available Signed by Christopher Willoughby, executor of the Estate, inscribed w...

Dustin Hoffman and Katharine Ross, 1967 - Bob Willoughby (Portrait Photography) Worldwide Shipping Available Signed by Christopher Willoughby, executor of the Estate, inscribed with ...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Kouros Torso Pink and Pale Diptych, by Michael James O’Brien Color fiber paper Overall size: Paper size: 24 H x 40 W inches. Frame size: 33.5 H x 49 W x 1 D inches. Individual size:...

Signed, Stamped & Numbered Edition of 25 Plus 3 Artist's Proofs From installment of 4 lavish tableaux vivants for Agent Provocateur campaigns The Season of the Witch was shot for Agent Provocateur in May 2009 at Dorney court. It was commissioned by Joe Corre and Serena Rees the original owners. Joe and I had been looking at Hogarth's etchings for A Rakes Progress, which later became an opera by Stravinski depicting the decline of Tom Rakewell, “For idle hearts and hands and minds the Devil finds work to do.” We decided we would create our own version of Bedlam but with Agent Provocateurs seductive point of view. The challenge was to shoot their whole collection, over thirty-five pieces of lingerie and put them into one image. Despite the misconception that it is a huge multi composition in photoshop, the truth is, it isn’t. Camera position locked off and working to a very specific layout conceived with all the girls from the shop, the picture is assembled in three parts. The right-hand side of the image using our ten models and extras was shot first, then as individual scenarios. Then came the balcony shot as they changed costumes to shoot the left-hand side. Fenton Bailey son of David played Tom, and Chloe Hayward his prospective wife who stumble into the witches coven, a twisted version of The Rocky Horror show. The witches included Alice de Lal, Daisy Lowe, Peaches Geldof, Marina Jameson, Raquel Nave, Awoui, Alex Jenny and Paz de la Huerta from Broadwalk Empire. Charlie Anderson brought a rack of costumes which everyone was persuaded to dress up in, whether it was the snake wrangler, who at one point “mislaid” a nine-foot boa constrictor, photo assistants, strip club doormen, some random punks we found roaming the streets of Windsor and the entire hair and makeup team. Joe Corre, son of Malcolm McClaren and Vivienne Westwood made a cameo performance in all four tableaus and can be seen behind the chandelier with all the girls from their offices all suitably attired. We actually flew the owl across the set but the wolf that belonged to the owner of the house was brought in and shot separately. On my first presentation of the artwork there was a degree of disapproval, perhaps cutting the brides throat was a tad over the top but Joes only reaction was “ couldn’t we have a bloody great big pentagram painted on the floor?” I returned to my office that afternoon and duly painted the floorboards with the devil's insignia which was then comped onto the shot. With productions like this, so many people go unmentioned such as my producer Jenny, Jess Morris, Sarah Shotton, Kirstin Piggott and Eamonn Hughes on hair and make up my dear friend Peter Smith who styled all the food, and most importantly my partners in crime Lee Stuart who assembled everything without any hesitation and a huge degree of inspiration, and Mark Townsend who balanced the light and made the 5x4 plate camera...

Signed and numbered Fine art print on Hahnemuhle photo rag paper Tim Bret-Day always felt like the odd one out and connected with the outsiders. Tim's dad was French, chic, and gre...