Bruno Bernard (Bernard of Hollywood)

Gypsy Rose Lee

c. 1940's

Roberta Kimmel Cohn (1937-2015) Toned sliver gelatin print, c. 1981 Unsigned (Signed and dedicated on the sketchbook page) see photo Condition: Excellent Image size: 13 1/4 x 10 5/8 ...

New York #121 Silver Gelatin print, 1980 Signed in ink below the image (see photo) Annotated verso in pencil: "New York #121 ©, New York, 1980" (see photo) Provenance: Reader's Digest Association Collection #23214 (label) Condition: Excellent Image size: 12-5/8 x 18-3/4" (32 x 47.6 cm.) Mat size: 19-1/2 x 25-1/2" Photographs by Fielding are in the collections of: Museum of Modern Art Brooklyn Museum International Center of Photography (New York) Museum of Contemporary Photography (Chicago) Art Institute of Chicago Walker Art Center (Minneapolis) Center for Creative Photography (Tucson) Fielding was born in Boston, Massachusetts. He attended the Rhode Island School of Design, where he studied with photographers Aaron Siskind and Harry Callahan; he received his BFA in 1975. He received his MFA in 1980 from the School of the Art Institute of Chicago, where he studied with photographer Kenneth Josephson. He has photographed in such countries as Italy, Peru, Spain, Greece, Egypt, Mexico, Portugal and the United States. His work has particularly concentrated on the Italian cities of Rome and Naples, as well as Mexico City. Of Fielding's City of Secrets, critic Vince Aletti wrote: [Naples'] citizens, from wiseass kids in diapers to weathered old men, loom into the frame like characters out of Fellini, bursting with antic, earthy energy. Fielding confronts and embraces his subjects, building up a portrait of a place that's as visceral as it is cinematic--a true theatre of the streets. Photography curator and collector W. M. Hunt wrote about the book: Jed Fielding is from the old school: a photographer with vision and technique. I've been to Naples twice in my lifetime; once by ship, and, even more lastingly, through Jed Fielding's astonishing images. At the time of a 2009 New York City exhibition of Fielding's photographs from Look at me, a New Yorker review[who?] said: Fielding's photographs of the blind children he met at schools in Mexico City are not in the tradition of photojournalistic muckraking. Like his terrific earlier series from the streets of Naples, these images are vivacious, audacious, and in your face. His subjects are not pitiable victims; they're rambunctious, apparently happy kids at play, responding to Fielding's attention with curiosity and delight. They may be cut off from the visual world, but they relish physical contact, both with one another and with the patient photographer. The best of the work was made at close range, where that connection was most tangible, and young faces fill the frames with fragile, vivid life. He has had solo exhibitions at venues including the Andrea Meislin Gallery...

Untitled (Portrait of Roberta Kimmel Cohn) Silver gelatin print on photographic paper c. 1981 Signed with the photographer's hand stamp verso From a presentation portfolio given the ...

Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...

An 11" x 14" (Ed of 5) signed gelatin silver print of Friendship, 1994 by Roberta Fineberg is from a world of horse-crazy girls in New York City. A black-and-white photograph, friendship shared by three teenage girls who display their horseback riding bracelets. The girls wear the names of their horses engraved on the bracelets. The photograph was shot in the 1990s at the now defunct City stable, Claremont, on the Upper West Side of Manhattan. The photo is published in the book City Riders (1997) - Howell/Macmillan Publishers Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art...

A black-and-white image shot on film by Roberta Fineberg becomes an abstract chiaroscuro portrait of a woman in elegant clothing -- a semi-sophis...

"Kremlin" Photography 43" x 35" inch Ed. 2/3 by VLADIMIR CLAVIJO-TELEPNEV Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror) Vladimir Clavijo-T...

"Alice in Wonderland" Photography 32"x28"in Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV Bromoil gelatin silver print, gold and silver leaf, and hand painted mirror Signed and numbered on the back of the print. Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow; the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S; exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France; 2004 Exhibition at the STUDIO Gallery, Moscow, Russia; Exhibition at the LEAGUE Art Gallery, Kolomna, Russia; Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia; Exhibition at the Novosibirsk Art Museum, Russia; Exhibition at the Benshaeb art gallery, Paris, France; Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California. 2003 Russian Post Modernism Nostalgia exhibition, New York, U.S; Exhibition at the LUMIERE, Moscow, Russia; Exhibition at the Russian Modern History State Central Museum; A participant at the 40 Views as to the Image of Comme de Garcon art...