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Harriet MoutsopoulosPathos
$625
£464.62
€543.92
CA$874.11
A$975.96
CHF 509.09
MX$12,000.94
NOK 6,425.35
SEK 6,049.24
DKK 4,057.61
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About the Item
ABOUT THIS PIECE: "I often combine food with portraits. On the surface, this absurd combination appears to reject any sense of reason (an extension of my own twisted sense of humour). However, obscuring the faces of my portraits with food is designed to not only challenge traditional notions of beauty, but also to provoke, tease and confuse the observer. I don’t set out to control the outcome of any piece but rather I want the observer to empathise with the subject through subtle suggestion. By concealing the faces, I remove any distraction and invite the observer to slow down and join the dots in order to seek out the hidden. I guess the real power of the final composition is what can’t be seen. At this point the observer holds all the power and the artist none! Although my mental approach is analogue, my physical techniques are digital. In order to avoid digital excess, I employ a self-imposed ban on using any more than two, and on the rare occasion three, elements." Harriet Moutsopoulos
ABOUT THIS ARTIST: Australian born and bred, I am a collage artist who works under the name Lexicon Love. "I simply love the idea of being able to renegotiate and manipulate the origins of an image through the medium of collage art. Ultimately it’s the way in which collage art challenges traditional notions of aesthetics, which I find most appealing. I am drawn to the surreal and unsettling and try to inject that into my work where possible, always seeking out the unexpected connections between humour and tragedy. At first glance, the elements of humour and tragedy don’t seem to go together, yet they are so absolutely inseparable. Their relationship is complicated and one cannot survive without the other. It is in combining the two that true magic begins." Harriet Moutsopoulos
ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an additional cost. Framing is available in white, black or natural wood and prints can be framed either with or without a mat board. We also offer face mounting to plexiglas. Please inquire for pricing and more details on our framing.
PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx in a bespoke cardboard box with a fitted interior armature for the frame. We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.
INTERNATIONAL SHIPPING: We ship unframed prints internationally via DHL. The international shipping cost does not include the tax & duties, which will be the responsibility of the customer. Unfortunately, because of the high shipping cost we do not ship framed prints internationally at this time.
- Creator:Harriet Moutsopoulos (Australian)
- Dimensions:Height: 39.5 in (100.33 cm)Width: 32.2 in (81.79 cm)
- More Editions & Sizes:Please inquire for additional sizes and framing options availablePrice: $150
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU11626429642
Australian-born and bred, Harriet Moutsopoulos is a collage artist who works under the name Lexicon Love. "I simply love the idea of being able to renegotiate and manipulate the origins of an image through the medium of collage art. Ultimately it’s the way in which collage art challenges traditional notions of aesthetics which I find most appealing. I am drawn to the surreal and unsettling and try to inject that into my work where possible, always seeking out the unexpected connections between humor and tragedy. At first glance, the elements of humor and tragedy don’t seem to go together, yet they are so absolutely inseparable. Their relationship is complicated and one cannot survive without the other. It is in combining the two that true magic begins." Harriet Moutsopoulos
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