Lluis Barba

Composicion VIII, Kandinsky

Lluis Barba’s epic, digitally manipulated images juxtapose iconic paintings from art history with photographs of modern tourists, celebrities, spectators of varied economic background, and appropriated advertising imagery. They critique the collusion between art, wealth, and glamor, particularly in the context of museum and gallery spaces. “I get elements of a reality out of context in order to put them in another reality,” he has said. “I use irony and implicit messages in the works such as the global integration of our society. I incorporate the bar code...

Lluis Barba’s epic, digitally manipulated images juxtapose iconic paintings from art history with photographs of modern tourists, celebrities, spectators of varied economic background, and appropriated advertising imagery. They critique the collusion between art, wealth, and glamor, particularly in the context of museum and gallery spaces. “I get elements of a reality out of context in order to put them in another reality,” he has said. “I use irony and implicit messages in the works such as the global integration of our society. I incorporate the bar code...

Lluis Barba’s epic, digitally manipulated images juxtapose iconic paintings from art history with photographs of modern tourists, celebrities, spectators of varied economic backgroun...

Lluis Barba’s epic, digitally manipulated images juxtapose iconic paintings from art history with photographs of modern tourists, celebrities, spectators of varied economic backgroun...

Lluis Barba’s epic, digitally manipulated images juxtapose iconic paintings from art history with photographs of modern tourists, celebrities, spectators of varied economic backgroun...

EMMA HACK is an Adelaide-based artist working in the unique medium of body paint installation and photography. Exhibiting extensively throughout Australia si...

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

MacConnel, Kim Robert (American, California, born 1946) Tourists, Hampi, India (Hampi is an ancient village in the south Indian state of Karnataka. It’s dotted with numerous ruined t...

MacConnel, Kim Robert (American, California, born 1946) Sri Ranganathanswamy Temple, Trichi, India (an ancient Indian city in India's southern Tamil Nadu state) 1992, commercial phot...

"Retrato de un Vuelo" (Portrait of a Flight) is a moody yet colorful, abstract painting layered on top of a black and white photographic print. The subject is a figure looking out on...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...