C Print Figurative Photography

'Untitled' (The Last Picture Show) - 2005 38x37cm, Edition of 10. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist inventory 1016. Not mounted.

Bondi Heights 2 is a vibrant C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas. Hasselblad Master Photographer Ben Tho...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 50x50cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

'Young' C-type Limited Edition by Jamie Beeden, personal work. A wonderfully observed portrait of two fashionable teenage girls at a club in Tufnell Park, London 2003. Jamie's bod...

C-Print. Unsigned but comes with a CoA. Edition of 10 plus 2AP.

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatu...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Hong Kong Football is a dynamic C-Type Matte Print by Contemporary photographer Chri...

Variable Distance is a striking C-Type Print in a Limited Edition of 10 in this size by contemporary photographer Ben Thomas. Hasselblad Master Photograph...

Oregon (Strange Love) - 2007 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory No. 9916. ...

'California Garden Party' 1975 Limited Slim Aarons Limited Edition Estate Stamped Print Guests attend a poolside luncheon at the home of Dorothy Laughlin in Santa Barbara, Califor...

'Von Oswald House' 1986 Slim Aarons Limited Estate Edition A group of people relax in the garden at the house of Johanna Von Oswald, 1986. Produced from the original transparency ...

'Burning II' (Gestures) 38 x 37cm, Edition 3/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Certificate and Signature label arti...

'Bates Motel' part 1 (The Last Picture Show) - 2005, 38x36cm, Edition 2/5, analog C-Print, hand-printed and enlarged by the artist on Fuji Crystal Archive Paper, matte finish, b...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

'Saint-Tropez Boucherie' 1971 Slim Aarons Limited Estate Edition A boucherie or butcher’s shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Produced...

TALES OF BITTER DOOM #08 Edition 2/7, 30x30cm, 2016 mounted on dilite 2mm with matte UV-Protection Handsigned and numbered by artist on verso Carmen De Vos - artist statement Flying...

Renée's Dream XV (Days of Heaven) - 2006 Part of the 29 Palms, CA project. Edition of 10, 50x50cm, Archival C-Print, based on the Polaroid. Signature label and certificate. Art...

' Lamborghini Star ' Rainer W. Schlegelmilch Archive Limited Edition Fantastic and fantastical, many of the top car manufacturers like Ferrari, Porsche, Lamborghini etc launched concept cars...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Skiing in St Moritz, 1983 - Palace Hotel Switzerland Alpine Scott Olympic Skis by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Skiing in St Moritz is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20th Century photographer Slim Aarons. Countess Jan Blonde smiles and poses in the Palace Hotel sleigh on Lake St. Moritz, Switzerland. With her furs and diamond rings, Blonde is perfectly attired for the classy yet freezing landscape of St Moritz. St Moritz has long been one of Europe's most glamorous Alpine playgrounds, attracting royalty, celebrities, and wealthy socialites to its chic lakeside villages and ski spots. In this portrait by Slim Aarons, American Countess Jan Blonde poses in a sleigh from the prestigious luxury Palace Hotel, located in the heart of St Moritz in Switzerland. As a guest of the Palace Hotel, Blonde has been generous provided with the sleigh to facilitate her transport to and from the Palace Hotel. Of interest to any ski afficionados are the two sets of skis positioned on the rear of the sleigh. One set of skis is by Hanson, an American ski-wear brand founded by brothers Chris and Denny Hanson in 1969, who invented the highly popular rear-entry ski boot. The other set of skis are Scott Olympic, an iconic brand of skis that performs to this day. Own a piece of ski-wear history in this photograph. From 1983. The world of Aarons’s photographs...

Nancy Talbert And Lefty Flynn 1953 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: Nancy Talbert, with former America...

'Katharine Hepburn' 1953: American film star Katharine Hepburn (1907 – 2003) driving along the waterfront with Irene Mayer Selznick at Montego B...

'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...

Planet of the Apes XI, 1999, Edition 1/10, 40x40cm, Signature label and Certificate. not mounted, Stefanie Schneider received her MFA in Communication Design at the Folkwang Schul...

Rewind (shot 2019 on 600 film) - Edition of 10 - 40 x 40 cm. Archival C-Print based on a on a Polaroid. Signed on back and certificate. Not mounted. In part influenced by the ...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Swimming in Bermuda, 1977 - Crystal Clear Waters North Atlantic Ocean Island by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Sw...

The Distance is a beautiful C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas. Hasselblad Master Photographer Ben Thom...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Spirit' is a stunning C-Type print by contemporary British photographer Tim F...

Trip to Little Bay - Watercraft Yacht Docking Bahamas Island Summer Sun by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Trip to...

Bondi Foundations is a gorgeous C-Type Print in a Limited Edition of 10 in this size by contemporary photographer Ben Thomas. Hasselblad Master Photograph...

Nebula #1, 2014, 10x15", Edition of 3/10. digital C-Print, based on an edited Polaroid Spectra film. Hand-signed and numbered by the artist on the back. Not mounted. Exhibitions: B...

Untitled (Suburbia), 2004, Edition of 3/3, 50x60cm, analog C-Print, hand-printed by the artist, based on a Polaroid, not mounted, signature label and Certificate, artist Inventory No...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wat...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wat...

Holidaymakers in a motorboat off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, 1969. Hotel Du Cap-Eden-Roc 1969 (printed later) C print Estate stamped and numbered e...

Gabriela at Nine (2017) 20x25 cm, Edition of 10 plus 2 Artist Proofs. Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film Signed on back with Certificate. Not mounte...

Daddy Bear - Ski Lodge Style in Snowy Winter Alpine Mountain Range Landscape by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stam...

Buzios, 1983 - Nude Sunbathing Swimming Pool Brazil Rio de Janeiro Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Bu...

Edition of 3 More sizes on request. A girl with a balloon is flying into the horizon. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

'Hotel Du Cap-Eden-Roc' 1969 Slim Aarons Limited Estate Edition Print Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, France, 1969. Produced from the original transpa...

Two Paths is a gorgeous C-Type Print in a Limited Edition of 10 in this size by contemporary photographer Ben Thomas. Hasselblad Master Photographer Ben T...

Nipple - Bathtime IV (29 Palms, CA) 1999, 40x40cm, Edition 1/10, Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. Artist inventory ...

La Folie - 2018 - Edition of 10, 40x40cm, digital C-Print based on a Polaroid. Signed on back and certificate. Not mounted. about this work: La Folie (Shot 2018 on 600 Film) In part this image was influenced by the films Les Diaboliques...

Penny Lane (Chicks and Chicks and sometimes Cocks) - 2019 - 20x24cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 19141. Signature label and Certificate. N...

All prints are produced to order. Lead times between 5-10 days. Due to currency fluctuations prices may change. Please contact the gallery for more information about this print or...

Margarita Smokes in Bathroom (Till Death do us Part), 2007, 40x50cm, Edition 1/5, analog C-Print, printed by the artist, mounted on Aluminum with matte UV-Protection based on an o...

'Untitled' (Chinese Classical), 2003, Edition of 10 plus 2 Artist Proofs, digital C-Print, POLAROID 809 Emulsion Transfer, 32 cm x 26cm, not mounted, Signed, embossed stamp and artis...

Margarita Smokes in Bathroom II (Till Death do us Part), 2007, 40x50cm, Edition 1/5, analog C-Print, printed by the artist, mounted on Aluminum with matte UV-Protection, based on a...

Haley and the Bird Man (Haley and the Birds) - 2013 105x100cm, Edition of 5, analog C-Print, hand-printed by the artist on Crystal Fuji Archive Paper, matte surface, based on a P...

'Palm Beach Palace' 1985 Slim Aarons Limited Estate Edition Print The house of builder Robert Gottfried, overlooking Lake Worth, Palm Beach, Florida, 1985. Designed by John Gosman,...

'Lilac Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of sophistication. This artwork f...

The Oriental Hotel' by Slim Aarons Residents of Thailand, John D. Wester, a member of the Board of Director's of the Oriental Hotel, and Florence B. Greene of Executive Office Servi...

'Pink Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of soph...

'White Handbag (detail)' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a...

Dining Al Fresco (1976) Limited Edition Estate Stamped (Photo by Slim Aarons) Victor Marson (left) and George Amos dine in the garden of Highclere ...

Painted Red Edition of 10 - 40 x 40 cm. Digital C-Print based on a on a 600 Polaroid. Signed on back and certificate. Not mounted. Painted Red (Shot 2020 on 600 film) Directly infl...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...