C Print Figurative Photography

Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Hotel du Cap Eden-Roc 1976 C-Print Estate signature stamped and hand numbered edition of 150 with cert...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, Chromaluxe. Signed and numbered out of 25. Accompanied with th...

Slim Aarons - Poolside Friendship - NEW Archive discovery - Limited Estate Print A brand new release from the Slim Aarons Estate & Archive - this...

Daisy and Austen in front of Trailer (Till Death do Us Part) - 2005 Edition 5/5, 125x123cm each. 125x520cm installed. 4 Analog C-Prints, hand-printed by the artist on Fuji Cristal ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Heartbreak Motel, 2016, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-1...

Calliope (Haley and the Birds) - 2013 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label and Certificate. Not mounted. Alchemist...

OK Corral - part 2 - (Stranger than Paradise), - 1999, 20x20 cm, Edition 5/10, digital C-Print based on the Polaroid, Artist Inventory 318_2.18, Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Missing -2018 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2016-458. No...

White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

'Pink Floral Dress' and 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured ...

All that Glitters ain't Gold - 2017, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inven...

Missing - 2018 40x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-458. Not m...

Heartbreak Motel - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival print, based on the original Polaroid. Signature label and certificate. Artist inventory PL2016-123....

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida, 1959. Slim Aarons Beauty and the Beast 19...

Anglo-American poet and playwright, TS Eliot (1888 - 1965) at Love Beach, New Providence Island while on his honeymoon in the Bahamas, 1957. Complimentary dealer shipping to your fr...

Slim Aarons - Lyford Cay Fire Service - Estate Stamped Edition Limited to 150 only The fire service in Lyford Cay, on New Providence Island in the Bahamas, April 1966 (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C Type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 40 x 60" inches / ca 101.6 x 152.4 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords 60s 1960s late 60s The Bahamas West Indies Atlantic Ocean Fire Brigade...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, diasec Framed. Signed and numbered out of 25. Accompanied with ...

Everlong - 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2003. Not mounted. K...

Candy Floss was taken by Richard Heeps when travelling in China. The street food vendor with pops of colour and the layers of detail draw you in. The Chinese Writing does not say 'candy floss/cotton candy for sale' as you might expect, it says something beautiful along the lines...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

This stylish artwork, 'Pink Gloves' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. Th...

Exquisite Oversize C print unframed. Stamped & certificate of authenticity provided. image keywords : Modgliani female nudes colour graphic com...

This stylish artwork, 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in...

'Nude Portrait' by Boyan Dimitrov beautiful 30x20" inches / 76 x 51 cm C-type print warm sepia toned. Nude female, reclining. Certificate of authenticity provided. EDGE PRINTS s...

Solitude - 2022 [ Shot on location in Oslo Norway in the spring of 2022 and influenced by themes of alienation and self-imposed isolation] Edition of 10 - 20 x 20 cm Archival C-Pr...

Doll - 2017 - Edition of 7 plus 2 Artist Proofs. Digital C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-128. Not mount...

This stylish artwork, 'White Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe...

'Yacht Holiday' by Slim Aarons Limited Edition Estate Print limited to 150 only numbered in ink & emboss stamped. 60 x 40 " inches paper size Tanne...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Slim Aarons Chromogenic C print Printed Later Slim Aar...

From the roof of the Condé Nast building on Lexington Avenue. With a view of the Chrysler and Empire State buildings, New York, American Vogue, 15 October 1949. Limited to 21 only ...

Original photograph numbered out of 25 This striking piece of art represents a stylized X-ray of an iconic superhero character. The artist creates a striking contrast between the ...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

'Lounging In Verbier' by Slim Aarons Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. This photograph epitomises the Travel, Lifestyle and Glamou...

Flora 06 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. All prints are produced to order. Lead times betwee...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Swan-Like Embrace, Paris 2001, printed later, 2021 C-Print on paper 8 x 5 1/8 inches Signed on the back published by Pain Nan Goldin's "Swan-like Embrace, Paris, 2001" is a poignant...

Kindling - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-2002. N...

'Saint-Tropez Boucherie' by Slim Aarons A boucherie or butcher's shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Typically 'Slim' this photograph e...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Twiggy – at David Steen’s Home, Surrey Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultura...

Slim Aarons Desert House Party, 1970. (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A poolside party at a desert house, desig...

Everlong - 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2003. Not mounted. K...

'Beach At St. Tropez' 1977 Slim Aarons Limited Estate Edition Sunbathers on the beach at St. Tropez, France, 1977. Produced from the original transparency Certificate of authentici...

'Daisy on Bed' (Till Death do us Part) - 2005 38x47cm, Edition of 30 Archival C-Print print, based on the Polaroid, Certificate and signature label, ar...

X-Ray print onto textured metallic vinyl in black frame Limited Edition of 15 From artist's studio, signed recto. Accompanied with the catalog of the artist and the certificate of a...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, diasec Framed. Signed and numbered out of 25. Accompanied with ...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, diasec Framed. Signed and numbered out of 25. Accompanied with ...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Irelan...

Penny Lane (Chicks and Chicks and sometimes Cocks) Edition of 10, 102 x 100cm. Lambda Print based on a Polaroid. Artist inventory 21327B. Signature label and Certificate. Not moun...

'Christmas Swim' 1954 Slim Aarons Limited Estate Edition Print Premium Rates Apply. Rita Aarons, wife of photographer Slim Aarons, swimming in a pool festooned with floating bauble...

'Sunbathing On Capri' by Slim Aarons Huge Oversize 60 x 40 inches Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupas - on the island of Capri, Italy, in August 1980. Often mistaken for a young Kate Moss, this relatively new Archive find is a sumptuous alternate shot to the better known 'Catherine Wilke' (also listed by us). It has all the elements of a typical Slim, beautiful girls in bikinis, swimming pool, and cocktails. This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'beautiful people in beautiful places, doing beautiful things'. Indeed. :) An exquisite LIMITED EDITION (to 150 only) Edition Slim Aarons C print Print. Gorgeous print measuring a Huge Oversize 60 x 40 inches / ca 152 x 101 cm's. Produced utilising the original transparency held at archive source. Slim Aarons Archive certified & stamped & numbered Supplied with certificate of authenticity. We ship regularly using Fedex Express services and shipping to all international locations is complimentary. EDGE PRINTS...

Gerbera (2019) Edition of 10 plus 2 Artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mounted). Signed on bac...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Artist: Marilyn Minter (1948-) Title: ​Prism Year: 2009 Medium: ​C-Print Edition: 9/27, 18 proofs Size: 20 x 15.88 inches Condition: Excellent Inscription: Signed, titled, dated, and...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

Missing -2018 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2016-458. No...

Other Side of the Eye (Shot 2019 on 600 film) Edition of 10 - 20 x 20 cm - Digital C-Print based, not mounted. Signed on back and certificate. Artist: The image was in part influ...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, diasec Framed. Signed and numbered out of 15. Accompanied with ...

Hotel du Cap Eden-Roc 1976 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate CAPTION: Guests by the pool...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Produced from the original transparency Certificate of a...

Dressing up - 2018, 50x60cn, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Arti...

From a long forgotten Dream (Chicks and Chicks and sometimes Cocks) - 2019 20x20cm, Edition of 10. Digital C-Print, based on the Polaroid. Artist inventory 21582. Signature label an...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary pri...

By Nan Goldin Swan-Like Embrace, Paris (2001), printed later, 2021 C-Print on paper 8 x 5 1/8 inches Signed verso (please see image 3) From the 2021 timed release, published by Pain.

The Journey I - 2019 Influenced by 1950s and 1980s cinema, The Journey sees a young woman heading off into the unknown where fate and chance all come into play. Edition of 10 - 40 ...

Les Vacances II The west coast of France is a place to eat delectable oysters, drink fine wines and walk along endless beaches in the glare of the summer sun. The Atlantic swell and...

'Sunbathing On Capri' by Slim Aarons Huge Oversize 72 x 48 inches / 183 x 122 cm paper size Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte...

Doll - 2017 - 20x20cm, Edition 4/7 plus 2 Artist Proofs. Digital C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-128. ...

Ormond Gigli Girls in the Window, 1960 (printed later) Color coupler print 44 x 44 inches Signed, dated and numbered edition 22/45 Ormond Gigli: The Visionary Behind the "Girls in...