C Print Figurative Photography

Bathers by the pool at the home of Vanessa Somers McConnell at Cuarton, Costa de la Luz, Spain, September 1970. Slim Aarons Villa at El Cuarton 1970 Chromogenic Lambda print Estate ...

Young Velvets, Young Prices photoshoot, 1949 Limited Edition Print by Norman Parkinson Three velvet-capped women huddle in gossip as another looks on during an October 1949 Vogue ...

'Jean Serpieri' 1961 Slim Aarons Limited Edition Estate Stamped Print Madame Jean Serpieri sits in the ballroom of the Tour La Reine near Athens, wearing a gown that belonged to the ...

'Cocteau Collector' 1982 Slim Aarons Limited Estate Edition Print August 1982: Art collector Sylvia Coca sits in front of one of Jean Cocteau's murals in Marbella. Produced from t...

'Princess Caroline Of Monaco' 1981 Slim Aarons Limited Estate Edition Print Prrincess Caroline of Monaco in the winter-garden room of her house on ...

'San Diego Gulls' 1960 Slim Aarons Limited Estate Edition Print Seagulls over a beach in San Diego, California, 1960. Produced from the original transparency Certificate of authe...

Carmen Alvarez enjoying a game of backgammon with Frank 'Brandy' Brandstetter in a swimming pool at Acapulco. Slim Aarons Keep Your Cool 1970 (printed later) C print Estate stamped...

'Palm Springs Party' 1970 Slim Aarons Limited Estate Edition Print A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kau...

'Winter Wear' (Slim Aarons Estate Edition) Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d’Ampezzo, March 1976. Two beautiful and st...

Slim Aarons - Leisure and Fashion - Estate Stamped Edition Limited to 150 only A woman watching a poolside fashion show at the Colony Hotel, Palm Beach, Florida, 1961 (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 30 x 30" inches / ca 76 x 76 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords early 60s 60s 1960s ladies fashions relaxation leisure women fashion swimming pool fashion show palm trees green garden edges sunny hot day sunshine catwalk lady in bikini 60s bikini...

'Saint-Tropez' 1971 Slim Aarons Limited Estate Edition Print Holidaymakers on the deck of yacht in Saint-Tropez, France, August 1971. Produced from the original transparency Certi...

Skiing Waitress 1955 (printed later) C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Ski 'bum' Alice Clement, a waitress a...

Mat measures 20 X 26 sight measures 13 X 19.5 This one has no mat. Mark Abrahamson is an American Postwar & Contemporary artist who was born in 1944. Mark completed a BA at Whitman...

'La Concha Beach Club' 1975 Slim Aarons Limited Estate Edition Bathers at La Concha Beach Club, Acapulco, Mexico, February 1975. Slim Aarons Chro...

'Conca dei Marini' 1984 Slim Aarons Limited Estate Edition Print A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. Paper size 40 x 30 inches / 101 x 76 cm Pri...

'Home Waters' 1983 Slim Aarons Limited Estate Edition Print June 1983: Dress designer Gianni Versace (1946 - 1997) and Lalla Spagnol on a motor launch in front of his 17th century ...

'Harbour Island' 1970 Slim Aarons Limited Estate Edition Print Harbour Island in the Bahamas, 1970. Paper size 40 x 60 inches / 101 x 152 cm Printed in 2024 - produced from the or...

Frank Sinatra and entourage on Miami Beach 1968 (printed later) C print 20 x 24 inches Signed and numbered edition of 50 with certificate of authenticity from the Terry O'Neill estate This picture was taken on the first day of filming, as Senatra walked from his hotel at the Fontainebleau Miami Beach to the set of ‘The Lady in Cement’. “This was the first time I ever saw Frank and I was astonished by the mere power of his presence, mesmerizing the crowd as he walked casually past." - Terry O'Neill Terry O'Neill CBE (1938-2019) was an eminent English photographer known for his masterful documentation of the 1960s fashions, styles, and celebrities. Born in London, his artistry deftly exhibited the keenness of capturing his subjects in candid moments or unconventional environments, reflecting a compelling narrative that was both revealing and authentic. O'Neill's photographic legacy spans across prominent personalities, including influential figures such as Winston Churchill, Nelson Mandela, iconic musicians like Frank Sinatra, Elvis, and Amy Winehouse, eminent actresses like Audrey Hepburn and Brigitte Bardot, supermodel Kate Moss, and every James Bond from Sean Connery to Pierce Brosnan. This diversity underscores O'Neill's proficiency in embracing the breadth of fame and human charisma. His extraordinary contribution to photography won him The Royal Photographic Society's Centenary Medal in 2011, a testament to his enduring influence. His work has graced numerous exhibitions, contributing to the art form's rich history. Terry O'Neill's indelible mark on photographic art continues to be celebrated at IFAC Arts, and elsewhere. For the complete catalogue of Terry O'Neiil on 1stdibs follow us at International Fine Arts...

'Marbella Birds' 1963 Slim Aarons Limited Estate Edition A woman wearing a headscarf on a porch in Marbella, Spain, 1963 This photograph epitomises ...

Marsha Gayle 1985 Slim Aarons Limited Edition Estate Stamped Print Laura Hawk, assistant to the photographer, relaxes by the pool at El Rincon, the von ...

'Penthouse Pool' 1961 Slim Aarons Limited Estate Edition Young women by the Canellopoulos penthouse pool, Athens, July 1961. Slim Aarons Chromogenic C print Printed Later Slim Aa...

'CZ's Dogs' 1955 Slim Aarons Limited Estate Edition Print Premium Rates Apply. circa 1955: Mrs F C Winston Guest (1920 - 2003) (aka Cee Zee Guest) with her dogs in front of the Gre...

'Penthouse Pool' 1961 Slim Aarons Limited Estate Edition Young women by the Canellopoulos penthouse pool, Athens, July 1961. Chromogenic C print Printed this year Slim Aarons Est...

'Apres Ski' 1963 Slim Aarons Limited Estate Edition Print A group of women reclining on the snow in Gstaad with rugs covering their knees, 1963. Paper size 40 x 30 inches / 101 x ...

'Desert House Party' by Slim Aarons This photograph was taken during the same party as Slim Aaron's now also iconic 'Poolside Gossip' photograph (see our other listings) and is jus...

'Capote At Home' 1958 Slim Aarons Limited Estate Edition Author Truman Capote (1924 – 1984) relaxes with a book and a cigarette in his cluttered apartment, Brooklyn Heights, New York...

Slim Aarons 'New England Skiing' Two women recline on improvised sunbeds in Cranmore Mountain, New Hampshire, circa 1955 (Photo by Slim Aarons, printed later) This photograph epitom...

'Laguna Beach Surfer' 1970 Slim Aarons Limited Edition Estate Stamped Print A surfer in the sea at Laguna Beach, California, January 1970. A new disc...

'Sardinian Holiday' 1967 Slim Aarons Limited Estate Edition Print Selvaggia Borromeo enjoys a yachting holiday on the Costa Smeralda in Sardinia, 1967. Paper size 40 x 30 inches /...

Slim Aarons 'Skiing Waiters' 1960 Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carrying a bottle of wine in an ice bucket, and the third carrying a menu, circa 1960 (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph. This print measures 30 x 30" / 76 x 76 cm paper size Printed in 2024 - produced from the original transparency Certificate of authenticity supplied Archive stamped and numbered in ink on the front Limited Edition to 150 only OTHER SIZES AVAILABLE : 12 x 12 / 30 x 30 cm 20 x 20 / 50 x 50 cm 30 x 30 / 76 x 76 cm 40 x 40 / 102 x 102 cm 50 x 50 / 127 x 127 cm FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. GALERIE PRINTS works in close partnership with the prestigious Getty Images Archive and Slim Aarons Estate, London England - to bring you officially certified prints from this beautiful collection. Our prints are produced as Original Colour C-type or Black & White Silver Gelatin Photographs – utilising the original transparencies and negatives housed at the Archive. Keywords skiing in the 60s 1960 skiing on a sunny day waiters on a slope luxury dining on the slopes snow white white waiter uniform typical waiter red jacket blu sky winter season winter clothes mountain life skiing men fashion 1960s black dinner jacket...

Meyerowitz first drew acclaim for his remarkable ability to capture subtlequalities of light with the 1978 publication of Cape Light, which went on to become a color photography clas...

'Catherine Wilke' Capri (Slim Aarons Estate Edition) Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. A typical 'Slim' photograph chronicling the young a...

'Winter Wear' 1976 Slim Aarons Limited Estate Edition Print Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Charlotte Rampling 1973 by David Steen Tessa Charlotte Rampling OBE (born 5 February 1946 is an English actress. An icon of the Swinging Sixties, she began her career as a model. Sh...

Slim Aarons - Palm Beach Idyll- Estate Stamped Edition Limited to 150 only A couple sunbathe by the sea at Palm Beach Florida 1955 USA (Photo by Slim Aarons). This photograph ep...

'Laguna Beach Surfer' Slim Aarons Estate Edition A surfer in the sea at Laguna Beach, California, January 1970. (Photo by Slim Aarons) A new discover...

'Porto Ercole' 1973 Slim Aarons Limited Estate Edition Print A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Paper size 4...

Twiggy – at David Steen’s Home, Surrey Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultura...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

'Swimmer And Sunbather' 1959 Slim Aarons Limited Estate Edition Print An underwater swimmer and a sunbather at the Cal Neva Lodge on the shore of Lake Tahoe, 1959. The Cal Neva reso...

Slim Aarons Poolside Party, (Kaufmann Desert House), 1970. (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A poolside party at...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Carlton Hotel 1958 Slim Aarons Estate Edition The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the entrance to the iconic Carlton Hotel. An array of gorgeous vintage and classic...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

'Pop And Society' 1968 Slim Aarons Limited Estate Edition 1968: From left to right; singer Marianne Faithfull, the Honorable Desmond Guinness, and Mick...

Sunbathing In Antibes 1976 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Dani Geneux (left) and Marie-Eugenie Gaudfri...

Slim Aarons - On The Slopes Of Sugarbush - Estate Stamped Edition Limited to 150 only Three skiers inspecting their skis on the slopes of the Sugarbush Mountain ski resort in Warren, Vermont, USA, circa 1960. The Sugarbush resort is one of the largest ski resorts in New England (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-Type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 20 x 30" inches / ca 50.8 x 76.2 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords skiing in the 60s 1960 skiing in USA winter in Vermont sunny day in the slopes dark blue light blue white snow skiing clothes blue and white woo;;en hats blue trousers white jumpers...

A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. Estate stamped and hand numbered edition of 150 with certificate of a...

'Bowling Green' 1960 Slim Aarons Limited Estate Edition Print circa 1960: Playing a game of bowls at the Newport Casino. In action Captain Edward L Rob...

'Guests At Villa Nirvana' 1978 Slim Aarons Limited Estate Edition Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, 1978. Produced from the or...

'Keep Your Cool' 1978 Slim Aarons Limited Estate Edition Carmen Alvarez enjoying a game of backgammon with Frank ‘Brandy’ Brandstetter in a swimming pool at Acapulco. Slim Aarons ...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Produced from the original transparency Certificate of a...

'Bikini Girls' 1975 Slim Aarons Limited Estate Edition Print Two women in matching bikini and shoes outfits, Monte Carlo, 1975. Produced from the origin...

Rod Stewart – Beverly Hills, Los Angeles, 1976 David Steen recalls: “Filming for Roger’s first Bond movie, Live and Let Die began in New Orleans and moved on to Ocho Rios, Jamaica. Cubby Broccoli asked me to spend some time there building up a portfolio of the actors, especially Roger and Jane Seymour. Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 54 x 38 " / 137 x 97 cm Limited to 10 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: rod stewart, beverley hills, los angeles, america, 1976, 70s, the seventies, roderick david stewart, british, rock, singer, songwriter, english, scottish, best-selling, music, artist, songs, I don’t want to talk about it, maggie may, have you ver seen the rain, have I told you lately, da ya think I’m sexy, what a...

'Esther Williams' 1962 Slim Aarons Limited Estate Edition Print Esther Williams, American aquatic actress and former swimming champion, relaxing in a Florida swimming pool. Produ...

Slim Aarons 'New England Skiing' Two women recline on improvised sunbeds in Cranmore Mountain, New Hampshire, circa 1955 (Photo by Slim Aarons, printed later) This photograph epitom...