Pigment Figurative Photography

'Snorkelling In The Shallows' A high angle view of people swimming next to the ketch 'Traveler II' , Stocking Island, Bahamas, 1964. Gorgeous print...

Culinary Heights Courchevel restaurant chefs Jean Jacob (left) of ‘Le Bateau Ivre’, Michel Rochedy (centre) of ‘Le Chabichou’, and Albert Parveaux of ‘Pralong 2000’, Courchevel, Fra...

'Verbier Vacation' Skiiers soak up the sun in Verbier, 1964. Gorgeous print measuring 30 x 30" inches / ca 76 x 76 cm's. Estate Stamped Collection Edition to 150 Photo by Slim ...

Tom Kelley Corky Carroll at Zuma beach c. 1960's C print 30 x 38 inches Edition of 25 Photographs are printed on Archival Hahnemühle paper (luster) estate signed and numbered in the border Caption: Woman Lying in Bed Portrait Tom Kelley’s interesting career spans more than four decades: first started as an apprentice in a New York photo studio that catered to the city's upper 400 (i.e. photographing the Vanderbilts, the Astors, the Harrimans, the Morgans, etc.). One of his biggest spot news assignments was covering the Lindbergh kidnapping case. Coming to California, Kelley was retained to photograph the stars created by David 0. Selznick and Samuel Goldwyn including Ingrid Bergman. A few of his other most famous subjects have been Gary Cooper, Greta Garbo, James Cagney, Clark Gable, Winston Churchill, Bob Hope, Marlene Dietrich, Joan Crawford, Jack Benny, John F. Kennedy, Dwight D. Eisenhower, Franklin D. Roosevelt and, of course, Marilyn Monroe, with and without clothes. His easiest photo subject? Clark Gable. His toughest? Joan Bennett. Following a long and profitable career helping to publicize motion picture personalities, he drifted the commercial advertising/photography field where he has remained as one of the leading exponents in the business. Of course, his most famous image was of Marilyn Monroe nude...

'Barbados Bliss' Ava Marshall relaxes with a book amongst the bougainvillea in Barbados, April 1976. A sumptuous scene of relaxation in an exquisit...

Boombox, circa 1980 Archival pigment print 40 x 30 inches edition of 10 Robert Farber is a contemporary American photographer best known for his iconic images of nude women. “One da...

Signed and numbered in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 19 x 13 in., Image size: 15 3/4 x 11 in. Jesse Alexander is considered one of ...

Signed in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 22 x 17 in., Image size: 15 x 15 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith...

Paris Auto Show - General Motors Design by Jesse Alexander is a 14 x 14 inch archival pigment print. This photograph features a black car on display, surroun...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Signed in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 22 x 17 in., Image size: 15 x 15 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith...

Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 52 years ago in 1969, it was qu...

This item is available unframed or framed, They are in edition of 20 in he 16" x 20" paper size. Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...

We are excited to announce the grand opening of “Indian Summer” at La Plage in Sag Harbor. This exhibition will include Fine Art + Photography from the Robin Rice Gallery including R...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Tom Kelley Corky Carroll at Zuma beach c. 1960's C print 16 x 20 inches Edition of 50 Photographs are printed on Archival Hahnemühle paper (luster) estate signed and numbered in the ...

A bold Black Liberation Army banner is featured among drummers and hippies in a 1971 Central Park protest. We see a rudimentary Super 8 video camera recording it all in the lower le...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

"WA5" Figurative Photography 84" x 40" inch Edition 2/10 by Giuliano Bekor Print size 84x40 Inches trim bleed Artwork finished size 88x44 Inches Limited edition 2 of 10 Artist proof 2 Medium: This artwork printed on a highest resolution fine art exhibition Giclee heavyweight paper Printed with saturation finish. Not framed. Ships in tube. WILD ABOVE series Like anthropomorphic visions, animals come to life on the canvas of the human form. Light and shadow interact mysteriously, bathing contours of muscle tone. Bold projections of animal skins, tails, beaks and eyes cut through the darkness of each frame in high drama, positioned to articulate the merging of human and animal forms. Contrast and an almost spotlight effect connect the hunter and hunted and explore the relationship between man and nature. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery Sofitel Hotel Beverly Hills CA; 2019 - February Modernismo Hôtel Plaza Athénée...

Black and white photography.

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Print is available in sizes from small to mural. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Inside the gallery, the viewer is surrounded by an arresting display of glamour in the wild. Drawing inspiration from classical paintings and geometric forms, Greg Lotus' work has been compared to Herb Ritts, Man Ray and Richard Avedon, and his exhibition fuses his high fashion background with the rural environment of his youth. Yet Lotus admits to no formal training throughout his career, "I'm completely self-taught, lots of trial and error over the years." His foray into fashion photography was a twist of fate. In the 90s he was sharing living quarters with young models, and began photographing them to help them build their portfolios—work that eventually brought his work to the attention of agencies. When it comes to his own models, Lotus prefers the "unspoiled" types, holding castings to find those with quirk as well as beauty. "Over time, most artists develop their own palette and look using color and light in a very personal way. I express my own aesthetic sense which is what makes my work recognizable, regardless of subject or setting." "Swimmer Cap," is an example of Lotus' signature pop of color. Here, a cast of sinewy models convene in a locker room; their candy-colored swim caps give the piece its surreal, dreamlike quality. In the invitation piece, "Nurses" beauties in black bathing suits pop against a light background while being hosed down by a nurse. "You can almost feel the spray and hear the whoosh under the miniskirt," says Lotus. Besides the visual play on light and dark, he says water is the linking element that turns the piece theatrical and makes it breathe. Greg Lotus was born in 1967 in rural West Virginia. He shot in Paris and New York City before settling in Miami to pursue his craft. After landing his first major job in Europe, Lotus interviewed with the editor of Italian Vogue, Franca Sozzani...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Faye Dunaway, 1968 archival pigment print 20 x 16 inches edition of 9

Red Lips at the Paris Cafe, 1987 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed an...

Red Shoes and a Bulldog, 1991 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed and n...

David Pugh “Untitled” (from Body Series), 2018 Year: 2019 Archival Inkjet Print on Museo Silver Rag Dimensions: 20 x 15 inches Unframed David Pugh’s photographic work tends to pull ...

Gia on the Lifeguard Stand, 1979 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 40” x 60” (101.6x152.4 cm) Edition of 10

Laundromat, 1980 Archival pigment print 30 x 40 inches, edition of 10 40 x 60 inches, edition of 10 Signed and numbered Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of composition in every genre, including nudes, still life, landscapes and architecture. His ten photo art books have sold over half a million copies. Jacqueline Kennedy Onassis brought Farber into Doubleday for the publication of his book “By The Sea,” which won the Art Director’s Award for color photography. Aside from numerous creative awards, Robert Farber also received the Photographer of the Year from PMA (Photographic Manufacturers Association), ASP International Award from the PPA (Professional Photographers of America) and The American Society of Photographers. This award was given to those who’ve made a significant contribution to the science and art of photography. Some previous recipients of this award include Dr. Edwin Land (inventor of the Polaroid), George Hurrell, and National Geographic. Farber’s work with nudes in fine art as well as in the commercial realm is known and respected. He has lectured for Ogilvy & Mather on the “Nude in Advertising.” ASMP requested to use Farber’s nudes as an examples of the artistic application in support of the National Endowment of Arts, after its backing of the controversial Mapplethorpe/Serrano exhibit. His book, “Farber Nudes,” was also included the Jacqueline Kennedy Onassis estate...