Rashid Johnson

Large Photograph George (Seeing in the Dark Series) Van Dyke Brown Photo Print

c.1998-1999

This one is signed and has the name of the city Meron hand written on it. It is printed on a wove matte paper. Ya'acov Kaszemacher, well-known artist and photographer whose unique im...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jerusalem) and noted. There is no edition size stated Location (Jerusalem), shoot date (1979) and photo print date (1983) and signature in pencil on the bottom back of the photograph. This is of the sculpture Woman skipping rope by Luciano Minguzzi located in the Isamu Noguchi designed sculpture garden at the Israel Museum Image size: 22 x 33 cm Paper size: 28 x 35.5 cm Susan Hacker (1949) is an American photographer and author. She developed and expanded the photography department at Webster University in St. Louis. Her work is in the possession of at least 25 major museums and libraries around the world. There are also many books and publications about her. Has always experimented with many photographic techniques. Hacker is recognized as an innovator of the modern photography art. Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. Much of her photography involves the innovative use of alternative cameras, formats, techniques, and media, as evidenced by her two books Encountering Florence (featuring subtly surreal black and white prints of the Italian city using 8 x 10 Polaroid emulsion transfers) and Kodachrome – End of the Run: Photographs from the Final Batches (which chronicles a six-month university photography project in which students and staff would shoot more than 100 roles of rare Kodachrome film for processing on the last day of operations by the world's last remaining Kodachrome processing lab.) In 2016, she published a book of photographs, reAPPEARANCES, which is a sequence of fifty-two photographs made with a digital toy camera (the JOCO VX5). The volume purports to take the viewer on a visual journey through the uncanny coherence of the look of the world, according to Stang's introductory essay. Stang majored in photography at the Rhode Island School of Design, where she earned both a BFA (1971) and MFA (1974), and studied under photographers Harry Callahan and Aaron Siskind. In 1971 she moved to London where she worked as a photographer for the British fashion magazine NOVA (published 1965–1975). She joined the faculty of Webster University in St. Louis in 1974, where she helped found and build the photographic studies program in the School of Communications. In Jerusalem in 1979 she was Artist-In-Residence at the Bezalel Academy of Arts and Design. In recent years, in addition to her work as head of the Webster University photography program and professor of communications, she has taught summer photography workshops in Florence, Italy, both at the Santa Reparata International School of Art (SRISA) and The Darkroom. She taught at Webster for 41 years and earned the Kemper Award for Excellence in Teaching. Stang's photography characteristically employs alternative cameras (such as the Olympus Pen-FT half-frame camera, the Kodak Brownie, and the Holga), or alternative formats (such as Polaroid emulsion transfers) and techniques. Her book of Polaroid emulsion transfers, Encountering Florence was published simultaneously in the U.S. and in Italy (under the title Firenze un Incontro) in 2007. Stang's use of the emulsion transfer process involves transferring the fragile, fabric-like emulsion layer of the photograph (bearing the image) to another surface, subtly transforming the original image in a variety of ways. The results were described in Photo Review as giving Stang's portraits of Florence's buildings, streets, statuary, and gardens "a delicate, draping quality ... reminiscent of the fabrics draped on the ancient statues within the images". An Italian reviewer observed that the photographic process presents "a city not previously seen and perhaps a little disquieting". The book's bi-lingual text in English and Italian was selected and edited by Stang and by Andrea Burzi and Susanna Sarti, both of Florence, to present accompanying word-portraits from authors in their own encounters with the city. A portfolio of Stang's work for the book is held by the Rare Books Collection of the Biblioteca Nazionale Centrale Firenze. In 2010–11, Stang led the Webster University photography program in a six-month-long focus on the color reproduction qualities of Kodachrome film (long revered by professional and amateur photographer for its true, lush color rendition qualities) to mark the permanent discontinuing of the film's production by Kodak. The project ultimately turned into a book documenting the final demise of the medium, and the last day of Kodachrome production anywhere in the world (at Dwayne's Photo in Parsons, Kansas, on January 18, 2011). The last days of processing were covered by The New York Times, National Geographic, and network television. Edited by Stang and fellow photographer Bill Barrett, Kodachrome: End of the Run presents a selection of four-score Kodachrome images shot on more than 100 roles of the film by Webster University students, faculty, and staff over a five-month period and processed by Dwayne's in the final hours as the last processing chemicals ran out. The book includes essays by Stang, Time Magazine worldwide pictures editor Arnold Drapkin, and Dwayne's Photo vice president Grant...

Wang Ningde (China, b. 1972) "Some days no. 23". Size: 48'' x 64.75'', 122 x 164 cm (image); 52'' x 69'', 132 x 175 cm (frame). Chromogenic print (c-print)...

Edward Serotta Tzitzko Abinun (Man cooking) . Judaica. silver gelatin print, matted, captioned by hand and hand signed and numbered. B/W photographs documenting Jewish life in Ea...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Inspired by the geometric paintings by Cuban artist Carmen Herrera and minimalist photography, a rare one of a kind gelatin silver print, toned with sepia/selenium toned and printed by hand in a traditional darkroom using...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

A limited Edition Print by National Geographic Photographer Keith Ladzinski from his series “The Cost of Consumption” - To hold industrial value through the eyes of humans is more of...

The Gallery of Katarzyna Napiorkowska is one of the first commercial art galleries in Poland. For over 30 years, the gallery has been presenting contemporary paintings, graphics, dra...