Roberto Vignoli

Indian Roots 4 - Photograph By Roberto Vignoli - 2013

2013

Landscape of lake Lilloet, in the middle of Mount Currie, Indian Reservation, British Columbia, Canada. The images of the roots, symbol of ancient native culture, are dedicated to th...

Native fisherman shelter by lake Lilloet, in the middle of Mount Currie, Indian Reservation, British Columbia, Canada. Digital camera, Hahnemule photo rag digital print. Solo exhibi...

Light painting technique, realized in a completly dark photographic studio, where the photographer manually "paint" by torch with light of different colours, the subjects and the background. Digital camera...

Light painting technique, realized in a completly dark photographic studio, where the photographer manually "paint" by torch with light of different colours, the subjects and the background. Digital camera...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...

Fallen Tree by Monica Denevan Photography, Archival Giclee Print, Burma 2006. Edition of 8 Monica Denevan studied photography at San Francisco State University. She has travelle...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

As most of the time, this artwork is a combination of painting, photography and digital post processing. Lambda c-print on acryl glass; inclusive alu-hanging system. All my works c...