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Stefanie Schneider
Jules and Jim XI (Days of Heaven) - Landscape, Horse, Polaroid, 21st Century

2009

$833.66
£620.77
€700
CA$1,141.95
A$1,273.40
CHF 664.41
MX$15,625.13
NOK 8,456.84
SEK 8,012.68
DKK 5,328.85
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About the Item

Jules and Jim XI (Days of Heaven) - 2009 Part of the 29 Palms, CA project. Edition of 10, 50x50cm, Digital C-Print, based on the Polaroid. Signature label and certificate. Artist inventory 8232. Not mounted. And here begins the strange tale — not one of grand gestures or neat conclusions, but of trembling moments caught between heartbeats. Like a whispered confession in a darkened room, these images comfort but also unsettle. The photographs are liminal spaces where the familiar twists into something uncanny: faces half-seen, shadows that refuse to settle, colors bleeding like old wounds. They echo the quiet desperation of a village that time forgot, where the soul’s longings are tangled with loneliness so thick it clings like dust. Schneider’s world is one where love is a ghost that lingers long after the living have gone. It is a love that stumbles, falters, and bleeds — awkward and aching, human in all its flawed beauty. Her work does not lie in wait for you to understand; it thrusts itself into your chest and demands you feel. The ache of absence, the stubborn pulse of memory, the cold fire of longing — all tangled in a stubborn refusal to be forgotten. This is not the soft fading of things past. It is the stubborn, restless flicker of something alive beneath the ash. Her images hold us there — in the unbearable weight of being both seen and unseen, held and abandoned, lost and found. And in that unbearable stillness, we catch a glimpse of ourselves — fragile, flawed, and fiercely, desperately human.

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