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Stefanie Schneider
Spiegelbild (Stage of Consciosness), analog, 125x154cm - featuring Udo Kier

2008

$6,550.20
$11,909.4544% Off
£4,877.49
£8,868.1544% Off
€5,500
€10,00044% Off
CA$8,972.46
CA$16,313.5644% Off
A$10,005.31
A$18,191.4644% Off
CHF 5,220.34
CHF 9,491.5344% Off
MX$122,768.87
MX$223,216.1344% Off
NOK 66,446.64
NOK 120,812.0744% Off
SEK 62,956.74
SEK 114,466.8144% Off
DKK 41,869.50
DKK 76,126.3744% Off
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About the Item

Spiegelbild (Stage of Consciousness), 2008 125x154cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. Certificate and Signature label, artist Inventory No. 7910.04.. Mounted on aluminum with matte UV-Protection / ships in a crate. The additional images showing the piece mounted at the solo exhibitions at: 29 Palms, CA, Galerie Spesshardt-Klein, Berlin (S) (2008) 29 Palms, CA, Museum of Applied Arts, Brno, Czech Republic (S) (2009) Mirror of broken Dreams, Galerie Robert Drees, Hannover, Germany, (S) (2011) And here begins the strange tale — not one of grand gestures or neat conclusions, but of trembling moments caught between heartbeats. Like a whispered confession in a darkened room, these images comfort but also unsettle. The photographs are liminal spaces where the familiar twists into something uncanny: faces half-seen, shadows that refuse to settle, colors bleeding like old wounds. They echo the quiet desperation of a village that time forgot, where the soul’s longings are tangled with loneliness so thick it clings like dust. Schneider’s world is one where love is a ghost that lingers long after the living have gone. It is a love that stumbles, falters, and bleeds — awkward and aching, human in all its flawed beauty. Her work does not lie in wait for you to understand; it thrusts itself into your chest and demands you feel. The ache of absence, the stubborn pulse of memory, the cold fire of longing — all tangled in a stubborn refusal to be forgotten. This is not the soft fading of things past. It is the stubborn, restless flicker of something alive beneath the ash. Her images hold us there — in the unbearable weight of being both seen and unseen, held and abandoned, lost and found. And in that unbearable stillness, we catch a glimpse of ourselves — fragile, flawed, and fiercely, desperately human.

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