Hat Figurative Photography

Mod Blue Fur Hood, 1961 -- Mark Shaw's model in blue and fur is an outtake from the LIFE September 1961 article "The Big Paris Word: Shape". Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a blue coat and hood. She is also wearing a fur boa...

1920’s Backdrop Dior Two Models in Blue and Pink, 1961 -- Models in 1920's style Dior "Slim Look Line" couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from "The Crazy...

1920's Backdrop Close Up Girl in Black Hat -- Models in 1920s style couture photographed for LIFE by Mark Shaw in 1961.Backdrop is from " The Crazy Years," a Parisian movie of that "...

1920's Backdrop Close Up Girl in Black Hat -- Models in 1920s style couture photographed for LIFE by Mark Shaw in 1961.Backdrop is from " The Crazy Years," a Parisian movie of that "...

1920's Backdrop Close Up Girl in Black Hat -- Models in 1920s style couture photographed for LIFE by Mark Shaw in 1961.Backdrop is from " The Crazy Years," a Parisian movie of that "...

1920's Backdrop Close Up Girl in Black Hat -- Models in 1920s style couture photographed for LIFE by Mark Shaw in 1961.Backdrop is from " The Crazy Years," a Parisian movie of that "...

Backstage Mirror Girls in Black and White, 1954 -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of backstage at the 1954 Pierre Balmain Couture show. Two women are backstage by mirrors. One woman is wearing a black dress and the other woman is wearing a white ball gown...

Backstage Mirror Girls in Black and White, 1954 -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of backstage at the 1954 Pierre Balmain Couture show. Two women are backstage by mirrors. One woman is wearing a black dress and the other woman...

Backstage Mirror Girls in Black and White, 1954 -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of backstage at the 1954 Pierre Balmain Couture show. Two women are backstage by mirrors. One woman is wearing a black dress and the other woman is wearing a white ball gown...

Backstage Mirror Girls in Black and White, 1954 -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of backstage at the 1954 Pierre Balmain Couture show. Two women are backstage by mirrors. One woman is wearing a black dress and the other woman...

Chanel Shares Champagne, 1957 -- Chanel shares champagne with her be-smocked mannequins following the showing of her new fall and winter collection. Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film processing methods that enabled him to eliminate all other photographic equipment. Although Shaw's techniques increased the grain and contrast of the photographs, the lack of intimidating, distracting flash and lights allowed him to capture an unusually relaxed Chanel. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Coco Chanel sharing...

Coco Enters her Shop on the Rue Fauborg St. Honore, 1957 -- Photographed in 1957, Coco Chanel is seen entering her boutique in Paris. According to LIFE, Coco is “…credited with either inventing or popularizing the short skirt, the flat chest, the sling pump...

Coco Creates Jewelry, Front, 1957 -- Coco Chanel creates jewelry in her workroom. She works with plasticine surrounded by boxes overflowing with "jewels." Mark Shaw's informal, grain...

Coco Creates Jewelry, 1957 -- Coco Chanel, photographed in 1957, was famous for using huge jewels both real and fake. Her cigarette remains in place despite the jewels before her. Ma...

Christine Mayer St. Tropez Bikini Black Hat -- Photographed for the January 1961 issue of LIFE, Christine Mayer poses on the jetty overlooking St. Tropez harbor wearing the year's bi...

Coco Creates Jewelry, Front, 1957 -- Coco Chanel creates jewelry in her workroom. She works with plasticine surrounded by boxes overflowing with "jewels." Mark Shaw's informal, grain...

Coco Enters her Shop on the Rue Fauborg St. Honore, 1957 -- Photographed in 1957, Coco Chanel is seen entering her boutique in Paris. According to LIFE, Coco is “…credited with either inventing or popularizing the short skirt, the flat chest, the sling pump...

Coco Creates Jewelry, 1957 -- Coco Chanel, photographed in 1957, was famous for using huge jewels both real and fake. Her cigarette remains in place despite the jewels before her. Ma...

Christine Mayer St. Tropez Bikini Black Hat -- Photographed for the January 1961 issue of LIFE, Christine Mayer poses on the jetty overlooking St. Tropez harbor wearing the year's bi...

Coco Enters her Shop on the Rue Fauborg St. Honore, 1957 -- Photographed in 1957, Coco Chanel is seen entering her boutique in Paris. According to LIFE, Coco is “…credited with either inventing or popularizing the short skirt, the flat chest, the sling pump...

Coco Enters her Shop on the Rue Fauborg St. Honore, 1957 -- Photographed in 1957, Coco Chanel is seen entering her boutique in Paris. According to LIFE, Coco is “…credited with eithe...

Coco Creates Jewelry, 1957 -- Coco Chanel, photographed in 1957, was famous for using huge jewels both real and fake. Her cigarette remains in place despite the jewels before her. Ma...

Black Bikini on St. Tropez Boardwalk 1961 -- Photographed by Mark Shaw in 1961 for Life, model Irene wears a black bikini designed by Tiktiner on the boar...

Coco Creates Jewelry, Front, 1957 -- Coco Chanel creates jewelry in her workroom. She works with plasticine surrounded by boxes overflowing with "jewels." Mark Shaw's informal, grain...

Chanel Shares Champagne, 1957 -- Chanel shares champagne with her be-smocked mannequins following the showing of her new fall and winter collection. Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film processing methods that enabled him to eliminate all other photographic equipment. Although Shaw's techniques increased the grain and contrast of the photographs, the lack of intimidating, distracting flash and lights allowed him to capture an unusually relaxed Chanel. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Coco Chanel sharing...

1920’s Backdrop Dior Two Models in Blue and Pink, 1961 -- Models in 1920's style Dior "Slim Look Line" couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from "The Crazy...

1920’s Backdrop Dior Two Models in Blue and Pink, 1961 -- Models in 1920's style Dior "Slim Look Line" couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from "The Crazy...

1920’s Backdrop Dior Two Models in Blue and Pink, 1961 -- Models in 1920's style Dior "Slim Look Line" couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from "The Crazy...

Picasso and His Women, 1955 -- Out take from a photo shoot for the Nov 14, 1955 issue of Life. Picasso permitted "this rare photographic session in his new Cannes villa, La Calaforn...

Picasso and His Women, 1955 -- Out take from a photo shoot for the Nov 14, 1955 issue of Life. Picasso permitted "this rare photographic session in his new Cannes villa, La Calaforn...

Picasso and His Women, 1955 -- Out take from a photo shoot for the Nov 14, 1955 issue of Life. Picasso permitted "this rare photographic session in his new Cannes villa, La Calaforn...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Nordeman's unique point of view, characterized by National Geographic senior picture editor Sadie Quarrier, as "delightful, bold and unexpected," provided his audience - many of whom follow his work on his Instagram feed - with a fresh perspective on the world of fashion. "Photography for me is about discovery and appreciation," states Nordeman. "It is a way of probing the world, and making pictures to satisfy my curiosity." Landon Nordeman (born 1974, NYC) has photographed around the world for fine art projects as well as commercial clients. American Photography, Communication Arts, Pictures of the Year International, The PDN Photo Annual, The Best of Photojournalism, The Center for Documentary Studies, PDN's 30, The Society for Publication Design and The James Beard Foundation have all commended his work. "Two Women in Black Hats...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

24 x 18 inches - Edition 1 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...

"Forget Me Not" Figurative Photography 40x30in Ed 2/14 by Viktorija Pashuta 2016 Digital print on wood panel. Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

Joyce Tenneson is an accomplished American photographer best known for her mystical and sensual photographs of the female form. At once haunting, enigmatic, and evocative of dreams a...

Jim’s of Lambertville is proud to offer this artwork. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum/Tyler School of Art) Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Hommage a René Gruau III • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availabl...

Entropy by Abi Polinsky. REP by Tuleste Factory Print on Hahnemüle Photo Rag paper, framed. W 32" x H 42" Please contact us for shipping quotes and customization options.

N°1237 2017 Photography Inkjet print on paper Edition 2/7 (limited edition of 7) 50 x 100 cm Signed, with certificate Jean-Paul Baret's créations are part of the continuité...

A girl is shrouded in a golden mist of shimming water droplets emanating from a fountain. This image looks like something post-impressionist Georges Seurat would paint, but in realit...

Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...