Shirt Figurative Photography

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. All prints include VAT and are sold as print only. This print may be available in another size, please contact the gallery for more information. "Lobster Girl. Fright Nights, West Palm Beach...

George Platt Lynes Photograph #1 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photogra...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento, Italy in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography,...

Vintage Photo. In this photograph, The German-American Actress Barbara Bouchet is with Saverio Vallone and Marina Souma(?)

The term "hijra" applies to a very diverse group of people in India who identify as third gender. They can range from a natural born hermaphrodite to a male cross dresser. Dating bac...

Oranzo Pavane and Giovagneli -  Vintage Photo is a historical photograph realized in 1977. Coming out of Police Station. Good conditions and aged.

This is an 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An e...

Bill HENSON (*1955, Australia) Untitled #16 - CB/KMC 8 SH 200 N13, 1998/1999/2000 Archival pigment print Sheet 127 x 180 cm (50 x 70 7/8 in.) Edition of 5...

Silver gelatin print, 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

This photograph "Taking Pictures" c.1980 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. The photograph size is 7.65 x 12 inches, sheet size is 8.5 x 12.65 inches. It is in excellent condition. About Michael Andreas Russ. Michael Andreas Russ (born January 1945Taking Pictures in Berlin) is an German/American photographer, photo designer and film director. Russ' career as a photographer began in New York in the late 1960s where he photographed his fellow acting students. Self-taught, he eventually moved to his own studio off Union Square, Manhattan and connected with the local underground art scene. Photograph by Russ was published on the cover of “Art Direction Magazine of Visual Communication” with a Gertrude Stein quotation: “The composition in which we live makes the art which we see and hear” In his early years Russ focused on men's fashion magazines and erotic sequential photographic scenes for Playboy Press books. He eventually experimented with distinctive photographic techniques, turning 35mm black and white film into chemically toned, masked, solarized and hand colored, one of a kind silver gelatin prints. These 'TinTones' as Russ would call them eventually became the trademark of his work. They were published in popular fashion and lifestyle magazines and brought him international recognition in the art world. His work was published in major fashion, lifestyle and avant-garde magazines, GUNNARS, Mode International, Mode Avant Guarde, PHOTO Magazine, Zoom (photography magazine), as well as German Playboy (magazine), Photo Reporter and cover art to IL Magazine. He also contributed sequential 'sujets de chambre' to Vogue magazine His erotic postcard edition "The Compagnie" became part of the permanent collection of the Musée des arts décoratifs de Paris, an annex to the Louvre museum. Selected Exhibitions. 1980: Musee des Arts Decoratifs (Louvre Annex, Paris). "Postcard edition The Compagnie" 1983: China Club...

Mikael Siirilä Helsinki, Finland, 2021 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

Mikael Siirilä Helsinki, Finland, 2020 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil on sheet verso. Size 15 x 22 cm...

From The Jon Gould Collection of Andy Warhol Photographs Each unsigned photo is unique and blind embossed with “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Gould, by descent to Jay Gould The Jon Gould Collection of Andy Warhol Photographs includes hundreds of unique silver gelatin prints gifted by Warhol to Gould during their relationship. Upon Jon Gould’s death in 1986 at the age of 33 from complications of AIDS, the Collection passed to his family from whom the works are now available exclusively through Hedges Projects. The Jon Gould Collection of Andy Warhol Photographs features scores of heroic portraits of Gould along with other notable subjects such as Mick Jagger...

The body, in opposition to this language system and ironically living it, speaks through organs, plays with images, sounds, smells, textures, mixtures, everything reacts, absorbs and...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Laia at Eleven as an Appearance - 2017 40 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hahnemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji...

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Nordeman's unique point of view, characterized by National Geographic senior picture editor Sadie Q...

Oaxaca and Santa Maria (sillon) Triptych by Paola Dávila Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium. 1. OAXACA 2003 2. SANTA MARÍA ...

Queen Elizabeth and Prince Andrew Leaving Liverpool realized in the 1960s. Photo by Charles Daws Good conditions and aged.

Milena Rosado Junio 2000 by Celso José Castro Daza From the series Dysfunctional Family One-of-a-kind Photo collage Sheet Size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and da...

Boys - Signed limited edition archival pigment print - 1984, Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Donald J. Trump- Vintage Photo is a black-and-white photograph, realized by Randy Drouke in the 1980s. Good condition.

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Norberto Caparella,  Case of Kappler - Vintage Photo realized in 1970s. Good conditions and aged.

Gabriela at Seven (2015) 40x40 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film. Signed on back with Certificate. N...

Kevin Vivers Strike Out Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has be...

Donald J. Trump- Vintage Photo is a black-and-white photograph, realized by Randy Drouke in the 1960s. Good condition.

Haley and the Bird Man (Haley and the Birds) - 2013 105x100cm, Edition of 5, analog C-Print, hand-printed by the artist on Crystal Fuji Archive Paper, matte surface, based on a P...

Groucho Marx- Vintage Photo is a black-and-white photograph, realized in the 1960s. Good condition.

Matthew Barney rehearsing Drawing Restraint 7, NYC. Diptych, 1993, by Michael James O’Brien Archival Inkjet Print on fine art paper Paper size: 17 H x 24 W inches. Image size. 12.5 H...

Pete Townshend – Smoking Joint, Twickenham, London, 1977 Guitarist and songwriter with British rock band The Who. Townshend’s trademark windmill action and smashing of guitar on s...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

Portrait of Elsa Morante is a black and white vintage photo, realized in 1950s. The photo depicts Elsa Morante, an Italian writer , essayist , poet and translator , among the most i...

Somewhere Between Here and There 2017 "Over and over, the works in 'Somewhere Between Here and There' invoke not only the borderlands of dreams but the shadow world inhabited by thos...

When we were friends (Suburbia) - 2004, 28x37cm, Edition of 10, digital C-Print based on an expired Polaroid. Signature label with Certificate, unmounted. The project "Suburbia" wa...

Entro Organizzazione, PSI - Vintage Photograph is a black and white photograph realized in the 20th century. Hand-written on the rear. Good conditions.

'Untitled' by Stefanie Schneider (Oilfields) 2004, 60x60cm, Edition of 10, Analog C-Print, based on the Polaroid Certificate and Signature label artist Inventory Nr. 1215.05 Not mo...

Badwater - Memories of Green, quadriptych (four pieces), - 2003 Edition 1/5, each 58x56cm, installed with gaps 122x117cm, analog C-Prints, hand-printed by the artist on Fuji Crysta...

Colin Jordan is a black and white vintage photo, realized in January 1965. It belongs to a historical and nostalgic album including historical moments, places, families, artworks, r...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. It sh...

This is an 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An e...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Karol Malecki is a fine art photographe...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Boys - Signed limited edition archival pigment print - Edition of 10 Will be part of Ian Sanderson's future Brighton 1980s retrospective exhibition This image was captured o...

Lucchino Visconti on the Set of the Film Ossessione is a vintage black and white photograph realized in 1943. Good conditions.

Greenpeace demonstration on "The Top of Europe"  is a black and white vintage photo, realized in September 22th. 1989. The photo depicts two Japanese tourists flash v-signs posing f...

Reno by Alain Le Garsmeur A group of Reno City Casino Staff on a break, Nevada, USA in 1979. Paper size 60 x 40 inches / 152 x 101 cm Printed in 2024 Archival Pigment Print Sign...

Somewhere Between Here and There 2017 "Over and over, the works in 'Somewhere Between Here and There' invoke not only the borderlands of dreams but the shadow world inhabited by thos...

Digital C-print (Edition of 10) Signed, dated, and numbered, recto This artwork is offered by ClampArt, located in New York City. Susan Barnett’s photographs are not about the t-sh...

Model In A Red Dress 1960 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane 1960. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archiva...

A young beautiful woman is dancing under the rain. Her dress is all wet. Some strange fishes are reflected in the window behind her. Original gallery quality print signed by the art...

Vintage Photo. The Italian Actress Lauretta Masiero in a scene from "Palcoscenico musicale", by Carla Ragionieri. 

Helmut Newton is a black and white photograph realized by Alice Springs in 1988 Black and white photograph

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Prince Charles III- Vintage Photo realized in 1965. Good conditions and aged.

Oranzo Pavane and Giovagneli -  Vintage Photo is a historical photograph realized in 1977. Coming out of Police Station. Good conditions and aged.

Ernest Borgnine-Vintage Photo is a black and white photograph realized in the 1950s. Good conditions and aged.