Steamer Figurative Photography

Verbier Vacation - Skiers at Verbier Snowy Mountain Winter Alpine Landscape by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later Please note that as part of the Estate's Premium Collection...

Apple harvest - Limited edition pigment print , 2006 - Limited Editions of 20 Sexy young woman picking apples from the tree Normandy/Brittany , France Signed + numbered by artist ...

This photography is part of a series of zen like beauty of Flowers art photography. In 3 sizes. This piece: Print size: 30 x 37.5 in. Image dimensions are 22 x 30 in. Matted in 8 ply museum archival matt. Ed of 15, signed, editioned on a Certificate of Authenticity by by photographer. About this series: With great patience and respect, the photographer observes the life cycle of the flower, viewing the subject much like a portrait photographer views a person, choosing the particular instance which in his view represents the essence of the flower. We feel the piece evokes a certain poetic, quiet, Zen beauty. The photographer was a London Central Saint Martins graduate and lived in a short spell in a monastery in Japan, and now primarily lives in Japan. ----- The artist was born in the UK in 1971, and after leaving Central Saint Martin’s in London in 1992, determined to explore a deeper sense of meaning, and contemplate life, he journeyed to Japan where he lived in a Zen Buddhist monastery and lived and studied in a temple in the mountains of Yamanashi for months, during which he studied Zen Buddhism and joined the monks in their daily prayers and routines. Over time, the subject matter for this series is borne out of a respect of the inner life of living things, Nature, in this instance and a sense of “mono no aware” (the art of impermanence). His artist vision has drawn influences from his Western artistic culture, Japanese classical aesthetics, and the 1933 classical text, “In Praise of Shadows” by Japanese literary titan, Junichiro Tanizaki (1886–1965). Tanizaki, as translated by scholars, examines the singular standards of Japanese aesthetics and their stark contrast with the value systems of the industrialized West. He writes: “We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates… Were it not for shadows, there would be no beauty.” “Shadows” presumably refers to the subtle interplay between light and darkness, not a stark dualism between black and white. Hence, the quiet beauty expressed in shadows of light and darkness as a living flower moves through the passage of life. The art of impermanence refers to a “pathos” (aware) of “things” (mono), deriving from their transience. The flower is a perfect metaphor for the expression of impermanence and beauty. Each flower has its own distinctive character and temperament, and is in constant dynamic motion. Through the passage of its life, it blossoms to its greatest peak, turning always towards the light until they eventually give up their petals. The artist documents this process through hundreds of images over time, essentially capturing the essence of the life of the subject. Both the visual aesthetic and process of his art calls to mind the transcient nature of things and reminds us to rejoice what we do have. In his gold series - Gold, in turn associated with the sacred, the divine, with supernatural powers and even immortality, has been recognized since ancient times in all the great civilizations as a noble material. Gold leaves have been used to decorate shrines, temples, statues, armor, jewelry since ancient times. At different times of the day, the light reflects off the gold differently as the day progresses, providing a visual context in which the celebration of life was captured. The artist has been recognized for his work for example, with a merit award at the Art Directors Club 87th Annual Awards N.Y. (2008). His work has been in group exhibitions as a runner up at the National Portrait Gallery in London as part of the Taylor Wessing London – Elle Commendation Portrait Awards, and at the Kiyosato Photo Art Museum in 1999. A successful photographer, the artist’s commercial clients include Adidas, Estee Lauder, Hugo Boss and shot celebrities for magazines / editorials featuring Sam Smith, Jeremy Renner, Gwyneth Paltrow, David Fincher, Zhang Ziyi...

Dressing up - 2018, 40x50cm, Edition of 7 plus 2 Artist Proofs. Digital C-Print, based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2018-137. N...

Christian - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Stockings - Signed limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Concorde - Limited edition pigment print - Limited Editions of 5 Paris under the snow, France, 2005 Signed + numbered by artist with certificate of authenticity. Archival pigme...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Villa del Balbianello, June 1983 - Afternoon Gathering on Terrace with Vines 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Villa del Balbian...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

Verbier View - Ski Season in Swiss Alpine Mountain Range under Blue Skies by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Verbi...