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Portrait of Benito Mussolini - Photo - 1920s

1920s

Early Portrait of Benito Mussolini is a black and white vintage photo realized by Agence Trampus in the 1920s. Good condition.

'Mussolini In Uniform Of Army' is a b/w photographic print on glazed paper, the stamp of agency Trampus, Paris and cliché applied on the back, here Mussolini is in the uniform of the...

Portrait of Benito Mussolini is  a black and white vintage photo, realized  in August 1st 1934. Good conditions and aged. It belongs to a historical and nostalgic album including h...

'Portrait of Mussolini ' is a b/w photographic print on glazed paper, the stamp of agency Trampus, Paris and cliché applied on the back, shows a portrait of Mussolini with the top ha...

ST/247 - It's a particular portrait, with an intense gaze. There is a reference name, but i couldn' décipher it. The character is wrapped in a cloak, typical of nineteenth - century...

This antique framed photograph features an iconic image of Pancho Villa, one of the most renowned leaders of the Mexican Revolution. The sepia-toned vintage print is printed on canva...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches frame size: 22.5 x 17.5 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967