VIROCODE (Peter D'Auria and Andrea Mancuso)

Source 8

2011

An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

A stunning original Gordon Abbott photograph depicting Central American in the 1940's. Signed on the mat and reverse. Abbott was a twentieth century American photographer born in 1...

Tourism: Chartres, 1985 Chromogenic color print 18 × 12 in 45.7 × 30.5 cm Edition of 16/25 Laurie Simmons has an ambitious exhibition currently on tour. "Big Camera/Little Camera," a survey of some two hundred photographs, two films, and a selection of three-dimensional pieces, including props used in some of her staged tableaux. This exhibition opened at the Modern Art Museum of Fort Worth, Texas, from October 14, 2018 to January 27, 2019 and is now at the Museum of Contemporary Art in Chicago until May 5, 2019. (A print of "Tourism: Chartres" is represented in the show. Laurie Simmons’ engagement with non-human subjects ranges from her earlier works, in which she photographed miniature scenes of post-war domestic splendor, to her more recent use of life-size sex dolls that appear to be engaged in surprisingly believable activities. Endowing dolls, puppets, and ventriloquist dummies...

Face Mounted Plexi. Aluminum braced archival print. Mysterious subject matter. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Ltd Ed 1/25. Face mounted Plexi. Aluminum Braced. Archival Print. Female form at the seashore, made to appear part fish. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

North Shore Motel, from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in the Salton...

American Girl, part of Richard Heeps street photography collection, capturing city's raw history before they change in the face of development. The picture is classic of his style of...