Gregg Louis

EVERYDAY UFO NO. 13

2011

photograph

DIANNE KORNBERG RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993 selenium toned gelatin silver print ed.15 18 x 32 in. 45.7 x 81.2 cm.

C-print on Fujiflex paper. Edition of 6 Tillman’s portrayals of China’s leading contemporary artists examine a unique psychological landscape of the present-day Chinese art world. T...

photograph

photograph

inkjet print on satin paper, laminted in luster matte. Edition of 5 This body of work was born from a chance encounter between the artist, Ruby Rumié, and Dominga Torres Tehran, a woman who for more than 45 years has walked the city streets selling fish. Dominga caught the attention of the artist for her unique and natural beauty. For nearly half a century this woman worked unnoticed, but at that moment, she completely captivated Rumié. Weaving Streets is an attempt to rescue women like Dominga from oblivion and invisibility - women who have spent valuable years of their lives as ambulant street vendors, permanently wandering the neighborhoods of the city. Aptly named, “Weaving Streets” references the phrase used by grandmothers to describe those who walked the city streets often. Rumié’s goal is to present new views on the vendors and their environment. The viewer’s encounter with these women will be different for the exhibition – it will be special. Viewers will see for the first time what has always been there, like running a thin veil between the visible and the invisible, a veil of old and constant stereotypes that keep us numb, or blind, so we ignore the marvelous and different realities. “Problems such as gender violence, gentrification, social barriers and discrimination constitute a constant concern which I attempt to uncover through my work, by means of large installations where I use repetition as a platform for protest; bodies as objects of mass consumption that reveal the disappearance of our intangible heritage, and photographs to suggest the enigma of social stratification, all of these intend to stimulate reflection, playfulness, visual pleasure, emotion and inquiry” explains Rumié. Rumié condenses the collected material into a Corpus, a historical archival manner, comprised of five volumes that unfold spatially in the gallery. Photo albums picturing each participant, stamp albums...

Street Photography /2000. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date & print date on verso. Ana Maria is visual ar...

Street Photography /2000. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date & print date on verso. Ana Maria is visual ar...

Street Photography /2001. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print. Signed, titled, negative date & print date on verso. Unframed. Ana Maria is visual artist. She had a formal education in Fine Arts. Since 2000 she also is interested in photography and she started by doing theater photography...

Street Photography /2000. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print, Signed, titled, negative date & print date on verso. Ana Maria is visual ...

Street Photography /2000. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date & p...

Street Photography /1999. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print, Signed, titled, negative date & print date on verso. Ana Maria is visual artist. She had a formal education in Fine Arts. Since 2000 she also is interested in photography and she started by doing theater photography...