Jan Rattia

East River

2020

Two archival pigment prints Each print signed and numbered on label, verso 16 x 48 inches, overall (Edition of 10 + 2 APs) $3500.00 + framing 24 x 72 inches, overall (Edition of 5 ...

Archival pigment print ((Edition of 5 + 2 APs) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Please note that prices incr...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

DAVID YARROW Deadwood, 2023 Signed and numbered by artist Archival Pigment Print 52 x 94 inches, Edition of 12 63 x 117 inches, Edition of 12 This piece is currently on display at A...

The artistic duo was inspired by Jean-Michel Basquiat's neo-expressionist paintings. Their idea was to create a series of original hybrids that explore the limits of popular culture....

The artistic duo was inspired by Jean-Michel Basquiat's neo-expressionist paintings. Their idea was to create a series of original hybrids that explore the limits of popular culture....

Linarejos Moreno Art Forms in Mechanism XXlll, 2016 natural pigments print on gessoed burlap 117 x 60 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...