Bryant Austin

For Jonathan, May 9, 2016

Austin’s minimal and atmospheric landscapes are portraits of the sun while it traverses the sky on a specific day at a specific time.

"I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For images with layered landscapes, multiple drawings are placed on the paper which is then exposed at intervals and a drawing removed at the end of each interval. The stars are created by exposing the paper to light through a mask with small holes poked into it. The darkroom aspect of the process creates a photogram negative, which I then scan and invert into a positive image digitally. The final images are pigment prints on archival rag paper." -- Vanessa Marsh Vanessa Marsh was born in Seattle, Washington, and currently works in Oakland, California. Marsh first became interested in Photography when her mother gave her a Nikon E series camera in 9th grade. She earned her MFA in 2004 from California College of the Arts. Marsh has exhibited widely including the Contemporary Jewish Museum in San Francisco, Dolby Chadwick Gallery...

Austin’s minimal and atmospheric landscapes are portraits of the sun while it traverses the sky on a specific day at a specific time.

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

Untitled 2019, 20x24cm, Edition of 1/10. Digital C-Print based a Polaroid Film and Fire. Hand-signed and numbered by the artist on the back with Certificate. Not mounted. Josey Car...

Untitled #295 (if....) Photography by Josh Azzarella, 2019 “Time exists somewhere between memory and anticipation” – Carlo Rovelli Ones first impulse is to think of time as a large...

Text by Nancy Webb In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a reli...

'10.7.16_10:55:09' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an a...