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Christine SoForest Light (hand-stained cyanotype, 12 x 9" matted to 14 x 11")2024
2024
About the Item
A glimpse between tree trunks of distant Monterey pines dissolving into the light and fog. This is a hand-stained contact photo using the antique cyanotype process from the 1800s. The edges are unique. There are no other editions of this photograph printed this way.
The way the artist brushed on the photo chemicals only in the paper's s center in a loose manner with the edges dissolving gives a sense of mystery and intimacy, like a glimpse of a private memory that fades around the edges.
This handmade photograph is already matted in a 11 x 14 inch white mat, ready to be framed in a standard 11 x 14 inch frame that you buy. The paper itself is 9 x 12" acid-free pure cotton watercolor paper. Ans acid-free archival linen hinging tape was used to attach the artwork to the back side of the mat.
These iconic Monterey pines can be found all up and down the California coast from San Francisco to Carmel and beyond. These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.
The paper is a heavy 100% cotton watercolor paper. Slight variations of shades of blue exist from print to print as each sheet of paper was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.
Unframed. Signed on the back.
Free shipping to the United States.
- Creator:Christine So (1970, American)
- Creation Year:2024
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)Depth: 0.2 in (5.08 mm)
- More Editions & Sizes:noPrice: $140
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215383282
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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