David Drebin

All of a Sudden

2011

From New York, Miami, and Jerusalem to Istanbul, Berlin, and all the way to Tel Aviv – using his world-renowned communicative imagery and striking cinematic image composition, David ...

Two models on a green cliff in the background the blue sea. From New York, Miami, and Jerusalem to Istanbul, Berlin, and all the way to Tel Aviv – using his world-renowned communica...

Other sizes and prices on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists. With his lat...

Other sizes and prices on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists. With his lat...

Created over the past eight years, "Kin" confronts issues of colonization, racial diversity and economic disparity in Hugo's homeland of South Africa. Through landscapes, portraits a...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Arti...

Image: Abandoned hospital. Tubmanberg, Domi County. Tim Hetherington photographed the experience of war from the perspective of the individual. During the Liberian Civil War, Hethe...

Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.