Jade Doskow

New York 1964 World’s Fair, “Peace Through Understanding, ” Fresh Paint

2008

14"x21" mounted photograph with back-brace for hanging. edition of 3 . Júlia Pontés is an environmental aerial photographer based in São Paulo and New York. This photograph captures the intense beauty and the environmentally devastating impact of mining in Brazil. The human and environmental impact of open pit mines and mining in Brazil are often obscured by the region’s mountainous terrain, relatively inaccessible to the local population. Working in collaboration with a pilot, Pontés has been photographing from above, sometimes flying in forbidden air space to capture these stunning images of the mining industry and increasing awareness. (b.1983 - Minas Gerais...

24"x30" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

Children gather around the ice cream vendor with wrapped attention in this wonderful example of Art Shay's mastery of street photography. Circa 1949, this photo captures an innocence from days gone by. It is matted and framed in a simple black frame measuring 16h x 19.25w x 1.25d inches. Art Shay Iceman silver gelatin print, printed circa 2010 11h x 14w in 27.94h x 35.56w cm ASY12019 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen and Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart...

Zack Seckler Blue Shale Folds 2024 Signed and numbered, verso Archival pigment print 53.3 x 80 inches (Edition of 3) 40 x 60 inches (Edition of 5) 26.7 x 40 inches (Edition of 10)