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Jasper Goodall
Cedars, Twilight's Path 001 - Forest at night...

2019

About the Item

Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and uncertain space... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not-knowing - into a dark, unconscious place. Jasper Goodall’s nocturnal landscapes photographs are a close encounter with this undomesticated realm. Each photograph asks the implicit question: what lies beyond the light? The perception of the landscape is not a one way street, we embellish places with imagination, memory, culture and spirituality. This understanding is central to Goodall’s work as he seeks to imbue the physical spaces that he photographs with palpable atmosphere. His work is more fairytale than documentary as the viewer is transported into an eerie netherworld – a portrayal of reality that we are not used to seeing. After all: the night is when we dream – it is a wilderness unto itself. At night in a dark wood, one steps beyond the familiar trappings of human life and there is a powerful re-activation of childhood fears and wild imaginings; there is something almost regressive in the experience. Indeed, in folk and fairytale, the dark woods are often considered a metaphor for the unconscious mind; an internal wilderness populated with perils, terrors and half seen entities. However, in this space of diminished rationality there is perhaps, the potential of a proximity and a reconnection with a long lost sacredness. Oak or Walnut frame options available. Larger size 125 x 85 cm also available, please enquire for more details, Edition of 3 only, 2/3 plus 2 AP This work 100 x 67 cm is from the edition of 8 only; Edition of 4/8 and will be made and framed upon order; lead time 4-6 weeks. Shipping - framed print would be crated and shipped by professional shipping company - more quotes available upon request and given delivery address or buy now with available best quotes.

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