Jill Peters

Beach II. Areal Landscape beach limited edition color photograph

2015

Marine Stadium by Jill Peters Overall size: 48 in. H x 68 in. W 2015 Edition of 2 Archival Pigment Print Print Unframed All sizes signed, titled, dated, and numbered on artist label...

Landscape I, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 48 in. H x 68 in. W Edition of 2 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________________ Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications. Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Jill was recognized in Photo Lucida’s Critical Mass Top 50...

Refinery, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 40 in. H x 60 in. W Edition 10 Print Unframed All sizes signed, t...

Paddle Boarders, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 40 in. H x 60 in. W Edition 7/10 Print Unframed All sizes ...

Lost In The Fog III / Rio De Janeiro, 2011 by Guilherme Licurgo Image size: 35 in. H x 23 in. W Edition of 10 + 2AP Guilherme Licurgo’s “Rio de Janei...

Três, RIO DE JANEIRO, 2011 by Guilherme Licurgo Image size: 35 in. H x 23 in. W Archival Pigment Print Limited Edition of 10 + 1 AP Guilherme Licurgo’...

Large horizontal areas of aquamarine blue at juxtaposed with magenta and yellow create a dynamic and lively pictorial surface for a San Francisco facade signed and dated on lower r...

A baseball field becomes a color field like painting with wide horizontal bands of day-glo green, earthy ocher and cool grey. Signed and dated on lower...

The underside of a blue bridge in Miami is transformed into a statement of about urban color. It's a hauntingly beautiful night image of Miami in blue and is punctuated with a red st...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Vanilla Sky by Frank Schott a series of images capturing the epique infinety of White Sands 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x...

a series of images capturing the epic scale of the iconic landscapes of the American West Desert Daze by Frank Schott 48 x 64 inches / 122cm x 162cm signed edition of 7 30 x ...