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Jill PetersRefinery. Areal limited edition color photograph2015
2015
About the Item
Refinery, 2015 by Jill Peters
Aerial photography
Archival pigment print on heavyweight cotton rag paper
Image size: 40 in. H x 60 in. W
Edition 10
Print
Unframed
All sizes signed, titled, dated, and numbered on artist label verso.
Additional sizes are available. All Prices are quoted as "initial price".
Please note that prices and availability may change due to current sales.
_____________________________
Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications.
Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
Jill was recognized in Photo Lucida’s Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.
- Creator:Jill Peters (1970, American)
- Creation Year:2015
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:27. in H x 40. in W inches. ed 15Price: $2,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45331779823
Jill Peters
Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications. Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child. Long abandoned, Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster, or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures.
About the Seller
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1stDibs seller since 2016
237 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Miami Beach, FL
- Return PolicyThis item cannot be returned.
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_____________________________
Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
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