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Ken RagsdaleClearcut
About the Item
available unframed
edition of 5
From the series: "The Hundred Acre Wood"
Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
- Creator:Ken Ragsdale (American)
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU692343372
Ken Ragsdale
Pacific Northwest native Kenneth Ragsdale is an Albany, New York based artist. His work, derived from personal memories, is process driven, focused on narrative and involves a mixture of many artistic disciplines like drawing, painting, sculpture, paper-craft, theatre lighting and photography. Ragsdale received a BFA from The Pacific Northwest College of Art in Portland and an MFA from the University at Albany. He teaches in the Art Department at Rensselaer Polytechnic Institute and serves as Chairman of the board of Collar Works Gallery in Troy. Ragsdale is represented by Front Room Gallery in New York City.
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